Sheet Music for Symphonic Orchestra

orch 11'

edited by Martin Schmeling

EB 2861 is printed in score; two copies are needed for performance

Our new edition is based on the autograph. For the first time the composition appears with brass (2 trumpets), as it is also given in the autograph. Almost all surviving copies also feature this versi...

orch 13'

Since the Faun's flute, music breathes differently(Pierre Boulez) In addition to the score, the complete orchestral material is offered for sale for the first time, so that all ensembles can deal with...

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The genesis and source history of Beethoven's 'Choral Fantasy' is convoluted and poses considerable difficulties for today's research. A definitive 'last hand version' does not exist.

The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...

This key work offers a convoluted (and at the same time incomplete) source material. The autograph is lost.

Hauschild's new edition is based on all important primary sources: autograph, first printing of parts, score copies supervised by Beethoven, and finally the first printing of the score.

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

The genesis and source history of Beethoven's 'Choral Fantasy' is convoluted and poses considerable difficulties for today's research. A definitive 'last hand version' does not exist.

Schumann, The Symphonies 5 study scores in slipcase

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

Something "completely new and unheard-of" would be offered to the audience, Robert Schumann wrote to Franz Liszt at the end of 1851, referring to the premiere of his "dramatic poem" Manfred. Already a...

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

With the 'Kullervo' premiere in 1892, Jean Sibelius, already at the age of 27, announced his claim as a symphonist far ahead of the purely instrumental symphonies and tone poems. Urtext according to t...