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Uses Latin and English (Rite A) texts.

Chilcott has re-scored this serene anthem, originally for upper voices, for SAB, making it accessible to choirs with a limited number of male voices. A rich addition to the Choral Evensong repertory,...

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

For SATB and optional organ.

A setting of words from Psalm 27 featuring a solo clarinet with various choral groupings. A clarinet part is included in the vocal score. Instrumental material is available on hire.

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra. Orchestral mate...

For SSAATTBB and optional organ

Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the Joh...

John Rutter's setting of the Te Deum is jubilant, straightforward, and appealing. It is well-suited to performance in choral concerts as well as sacred settings. Material for this orchestral version,...

A welcome collection of piano transcriptions, made by the composer, of eight of his best-loved choral pieces, from early classics such as 'The Lord bless you and keep you' to recent gems like 'A flowe...

This is a beautiful transcription of the G-minor Siciliano from the Sonata for Flute and Continuo in Eb major (BWV 1031), with the left-hand part is Bach’s continuo righthand line placed in the left-h...

With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by...

Three short movements for flute and clarinet.

In the First, Spinning Place was inspired by Dylan Thomas's exuberant poem Fern Hill. The first section of the concerto is a light, dancing movement, the second section contains echoes of Welsh hymnod...

The work is divided into three self-contained groups of two to three pieces each, and reflects the composer's pleasure in writing an English style of music by evoking, in this case, the forms of song...

Partially based on a plainsong melody, this peaceful setting of the Latin hymn text features sonorous harmonies, subtle time changes, and fluid choral homophony, with a beautiful soprano solo that flo...

The Two Pieces for Violin and Piano, Canzonetta and Scherzetto, were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score publi...

From the collection Solo Time for Violin Book 2, this arrangement beautifully preserves the style of Czech folk music found in Dvo?ák's original, and the contrast of major and minor sections.

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....