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Originally published in Piano Sketches Duets, Book 2, 'Autumn in Paris' is an evocative, carefree piece, featuring polyrhythm and key changes.

Originally published in Piano Sketches Duets, Book 1, 'High in the sky' features a graceful melody floating over interesting harmonic changes and a semi-quaver piano flourish that is passed between th...

Originally published in Piano Sketches Duets, Book 1, 'Crazy Clown' is a quirky, playful waltz exploring sudden dynamic changes, key changes, and chromatic notes.

Originally published in Piano Sketches Duets, Book 1, 'Just for You' is a gentle pop ballad with an opportunity for beginners to practise pedalling and more complex rhythms.

Originally published in Piano Sketches Duets, Book 2, 'Music for a Silent Film' features a swinging melody in the Primo part and steady chords in the Secondo part. Perfect for duet partners looking fo...

Originally published in Piano Sketches Duets, Book 1, this fun, short piece perfectly imitates the falling of raindrops, making it ideal for beginners wishing to practise staccato articulation, phrasi...

Originally published in Piano Sketches Duets, Book 2, 'Russian Song' is a gentle piece in the minor key with a touch of melancholy. Perfect for practising chord shapes and phrasing.

Originally published in Piano Sketches Duets, Book 1, 'The Glorious Pastime' is a baroque-inspired piece featuring dotted rhythms, changes in tonality and a variety of articulation.

With a simple, hopeful melody in the Primo part, and busy quavers in the Secondo, 'Wind of Spring' is a perfect piece for beginners wishing to practise ensemble playing and cross rhythms. Originally p...

Originally published in Piano Sketches Duets, Book 2, 'Tarantella' is a fast, fiery piece featuring a contrasting middle section. Perfect for practising compound time signatures and ensemble playing.

First published in the book Grooves for Two (with CD), this piano duet is in the style of South African township jazz, and contains an optional improvisation section.

First published in the book Grooves for Two (with CD), this Latin jazz piano duet combines the danzón, a traditional Cuban groove, and the cha-cha, with an optional improvisation section as bonus!

First published in the book Grooves for Two (with CD), this piano duet is inspired by the great jazz players and composers of the American Blue Note record label, and contains an optional improvisatio...

First published in the book Grooves for Two (with CD), this piano duet features the tresillo rhythm (3+3+2), the montuno common to Latin American music and jazz, and an optional improvisation section.

First published in the book Grooves for Two (with CD), this piano duet recalls the lush chords and mid-tempo grooves of 1970s disco.

First published in the book Grooves for Two (with CD), this relaxed piano duet has a bluesy country sound echoing rural gospel music, and an optional improvisation section as bonus!

First published in the book Grooves for Two (with CD), this jazz piano duet has a stride-piano feel, and written-out solo over a walking-bass pattern and chords reminiscent of pianist Thelonius Monk.

Beautifully crafted, this short work for 4 hands conjures up precisely the imagery the title suggests. Calm, lilting, melodic, but requiring technical skill, it is a welcome addition to the piano duet...

Words and music by John Rutter. The accompaniment for orchestra is available on hire and for sale. An accompaniment for brass is available on hire. Also in Carols for Choirs 4.

Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A v...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

The Blackbird is a beautiful arrangement of a Welsh folksong. It sets the folksong in an English translation by Margery Hargest Jones.

Gloss could be considered a companion piece to Random Girl (also for oboe and vibraphone), although it is rhythmically more formal and more restrained melodically.

Written for the Birmingham Schools Recorder Sinfonia, this engaging work is suitable for amateur performers. The mixed compound time signatures introduce some learning opportunities, while the melodic...