Klassische Klavierstücke
The fantasy played a relatively small role in the piano music of Viennese Classicism. Beethoven's sole contribution is perfectly suited to its genre designation in that the work, written in 1809, prov...
The fantasy played a relatively small role in the piano music of Viennese Classicism. Beethoven's sole contribution is perfectly suited to its genre designation in that the work, written in 1809, prov...
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At first glance, this spirited work does not seem to fit the picture that Beethoven's contemporaries have passed down to us; this is why the work was long looked upon deprecatingly as a 'salon piece'....
At first glance, this spirited work does not seem to fit the picture that Beethoven's contemporaries have passed down to us; this is why the work was long looked upon deprecatingly as a 'salon piece'....
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This work, in two movements and dating from 1804, is clearly among the lesser-known of Beethovens 32 piano sonatas. The lack of a sonata-movement form, the old-fashioned heading 'In Tempo d'un Menuett...
This work, in two movements and dating from 1804, is clearly among the lesser-known of Beethovens 32 piano sonatas. The lack of a sonata-movement form, the old-fashioned heading 'In Tempo d'un Menuett...
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Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that 'Here you have a sonata that will be a hard nut to crack'. Indeed, the enormous dimensions of the work, which was s...
Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that 'Here you have a sonata that will be a hard nut to crack'. Indeed, the enormous dimensions of the work, which was s...
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- Conrad Hansen
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The Nocturne in e minor was written as early as 1827, and is among the Chopin juvenilia that were published only after his death. Julian Fontana, Chopin's long-time confidant and assistant in all area...
The Nocturne in e minor was written as early as 1827, and is among the Chopin juvenilia that were published only after his death. Julian Fontana, Chopin's long-time confidant and assistant in all area...
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- Hans-Martin Theopold
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The 'Polonaise-Fantaisie' is among Chopin's last great piano works, and is a testament to his mastery and maturity. The out-of-the-ordinary title betrays the fact that Chopin was uncertain about which...
The 'Polonaise-Fantaisie' is among Chopin's last great piano works, and is a testament to his mastery and maturity. The out-of-the-ordinary title betrays the fact that Chopin was uncertain about which...
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- Hans-Martin Theopold
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Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy - with a twinkle in his eye - to produce his piano waltz 'La plus que lente' ('The Slower-than-S...
Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy - with a twinkle in his eye - to produce his piano waltz 'La plus que lente' ('The Slower-than-S...
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- Hans-Martin Theopold
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Debussy intentionally did not place titles at the top of his Préludes for piano (HN 383), published in 1910, but merely wrote them at the end and in parentheses - almost as a belated comment on the pi...
Debussy intentionally did not place titles at the top of his Préludes for piano (HN 383), published in 1910, but merely wrote them at the end and in parentheses - almost as a belated comment on the pi...
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With Frédéric Chopin's Fantaisie-Impromptu in c-sharp minor, G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music...
With Frédéric Chopin's Fantaisie-Impromptu in c-sharp minor, G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music...
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- Hans-Martin Theopold
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Chopin's waltzes were - contrary to, say, those by Schubert - no longer conceived for dancing or for the ballroom. These pieces assumed the form and function of idealized concert waltzes, which Chopin...
Chopin's waltzes were - contrary to, say, those by Schubert - no longer conceived for dancing or for the ballroom. These pieces assumed the form and function of idealized concert waltzes, which Chopin...
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- Hans-Martin Theopold
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The fact that Chopin's waltzes are no longer dance music, but refined concert pieces for performance in salon or concert hall, emerges nowhere as sharply as in the 'Grande Valse' op. 42. The main them...
The fact that Chopin's waltzes are no longer dance music, but refined concert pieces for performance in salon or concert hall, emerges nowhere as sharply as in the 'Grande Valse' op. 42. The main them...
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- Hans-Martin Theopold
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This virtuoso etude has been given the nickname 'Black Key Study' by pianists, since, apart from one single f in M. 66, the right hand does not touch a single white key. This gives the harmony a penta...
This virtuoso etude has been given the nickname 'Black Key Study' by pianists, since, apart from one single f in M. 66, the right hand does not touch a single white key. This gives the harmony a penta...
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- Hermann Keller
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The two piano sonatas op. 49, described in their first publication as 'Sonates faciles', are often the first-ever Beethoven sonatas with which advanced piano pupils can demonstrate their ability. Thei...
The two piano sonatas op. 49, described in their first publication as 'Sonates faciles', are often the first-ever Beethoven sonatas with which advanced piano pupils can demonstrate their ability. Thei...
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- Murray Perahia
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The volume with a selection of Mozart's piano pieces was prepared using the musical text from the complete volume (HN 22 and 9022). It contains his best-loved single piano pieces in Henle Urtext.? Ada...
The volume with a selection of Mozart's piano pieces was prepared using the musical text from the complete volume (HN 22 and 9022). It contains his best-loved single piano pieces in Henle Urtext.? Ada...
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- Andreas Groethuysen
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Beethoven gave this sonata the unusual title 'Sonata quasi una Fantasia,' which it shares, along with its opus number, with the considerably more famous 'Moonlight' Sonata. Both sonatas - along with t...
Beethoven gave this sonata the unusual title 'Sonata quasi una Fantasia,' which it shares, along with its opus number, with the considerably more famous 'Moonlight' Sonata. Both sonatas - along with t...
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In the years 2001-2014, G. Henle Publishers issued Urtext editions of the ten piano sonatas by Alexander Skriabin. The Skriabin specialist Valentina Rubcova from Moscow, the editor of these ten editio...
In the years 2001-2014, G. Henle Publishers issued Urtext editions of the ten piano sonatas by Alexander Skriabin. The Skriabin specialist Valentina Rubcova from Moscow, the editor of these ten editio...
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- Michael Schneidt
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Liszt's piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies, yet employ folk dances and songs as their source material. Completed in 1864, Rhapsodie espagnole is...
Liszt's piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies, yet employ folk dances and songs as their source material. Completed in 1864, Rhapsodie espagnole is...
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One of Chopin's most radical compositions, the B minor Scherzo leaves hardly any listener untouched. The wild main section, interspersed with brutal dissonances, frames the intimate trio, in which Cho...
One of Chopin's most radical compositions, the B minor Scherzo leaves hardly any listener untouched. The wild main section, interspersed with brutal dissonances, frames the intimate trio, in which Cho...
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Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a 'who's who' on the contemporary piano scene. G. Henle Pu...
Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a 'who's who' on the contemporary piano scene. G. Henle Pu...
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Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a 'who's who' on the contemporary piano scene. G. Henle Pu...
Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a 'who's who' on the contemporary piano scene. G. Henle Pu...
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Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a 'who's who' on the contemporary piano scene. G. Henle Pu...
Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a 'who's who' on the contemporary piano scene. G. Henle Pu...
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Chopin's Scherzo no. 3 was connected to his legendary winter in Mallorca in 1838/39, as were his Préludes op. 28. On 22 January 1839, the composer sent the autograph of the latter work to Camille Pley...
Chopin's Scherzo no. 3 was connected to his legendary winter in Mallorca in 1838/39, as were his Préludes op. 28. On 22 January 1839, the composer sent the autograph of the latter work to Camille Pley...
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- Hans-Martin Theopold
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Chopin published his Scherzi nos. 1-3 at more-or-less regular intervals, in 1835, 1837 and 1840 - almost as if he'd planned them in advance. He published his fourth and final work in this genre after...
Chopin published his Scherzi nos. 1-3 at more-or-less regular intervals, in 1835, 1837 and 1840 - almost as if he'd planned them in advance. He published his fourth and final work in this genre after...
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- Hans-Martin Theopold
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After Alban Berg, Anton Webern is the second composer of the Viennese School to be included in the Henle catalog. Webern's music is known for its extreme brevity and strict organization. The performan...
After Alban Berg, Anton Webern is the second composer of the Viennese School to be included in the Henle catalog. Webern's music is known for its extreme brevity and strict organization. The performan...
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