Klassische Klavierstücke

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de con...

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de con...

Volume 11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early...

Volume11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early v...

Ferenc Liszt was one of the greatest piano virtuosos of the 19th century and a very influential teacher, who played an enormous part in the development of modern piano technique. For this reason the m...

Our purpose in compiling this volume was to gather attractive pieces that are neither too long nor too technically difficult so that the collection would be as varied as possible and show many differe...

This volume features Schumann s works and contains real hits. The majority of the pieces can be played at an intermediate level, but some demand more advanced technique.

Besides Bach, Domenico Scarlatti is the other Baroque composer whose keyboard works sound really great on the modern piano. The editor of this volume has chosen sixteen pieces from the 555 surviving s...

The four composer-sons of Johann Sebastian Bach were figures of decisive importance in the transitional period between the Baroque and Viennese classicism. Around the middle of the 18th century they w...

This volume offers performance pieces for the more advanced classes in music schools, at the same time allowing a glimpse into the 19th-century music scene. Piano pieces have been arranged from popula...

The special pedagogical value of the character pieces in this volume is enhanced by the fact that they do not make technical demands beyond music school level. Thus, students are introduced to the wor...

The content of this volume consists partly of works that have survived in the composer's manuscript and are now published for the first time, and partly of the original versions of pieces that were pu...

The content of this volume consists partly of works that have survived in the composer's manuscript and are now published for the first time, and partly of the original versions of pieces that were pu...

Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the ear...

Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the ear...

Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the ear...

Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called i...

Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called i...

Péter Wolf (a doctoral graduate of the Franz Liszt Academy of Music in Budapest) has composed a number of large-scale compositions in recent years which have had success at the hands of distinguished...

For György Kurtág, Mussorgsky's works have always been an important model. Several of his works contain pieces referring to Mussorgsky (Games III, The Small Snag), and in his opera, Fin de partie, he...

The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurt...

Bartók's music is of paramount importance for all Hungarian composers of the last hundred years: in the works of György Kurtág we also find open or hidden references to the great predecessor at severa...

'These cadenzas were originally written for my son. Composing them, I summed up my own musical and performing experience of many decades, and my respect for Haydn's art. My intention was to follow the...

In his Sonata, Péter Wolf puts his style well-known from the character pieces of his previous piano series (Wolf-temperiertes Klavier, Jazz preludes) in the service of a demanding form. We can recogni...

PÉTER WOLF (1947) studied classical piano and jazz piano at the Béla Bartók Secondary School under Kornél Zempléni, Ferenc Rados and János Gonda. In 2015 he obtained his DLA degree from the Franz Lisz...