Léon Boëllmann
Complete Organ Works 3/1
Heures mystiques: Entrées, Offertoires, Offertoire funèbre
Léon Boëllmann
Complete Organ Works 3/1
Heures mystiques: Entrées, Offertoires, Offertoire funèbre
- Instrumentation Organ
- Composer Léon Boëllmann
- Edition Sheet Music (Urtext)
- Publisher Bärenreiter Verlag
- Order no. BA8462
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Description:
- Release: 16.09.2004
- Dimensions: 300 x 230 mm
- Weight: 442 g
- Rubric: Organ Manuals, Collections
- Genre: Classical Music
- ISMN: 9790006521098
Léon Boëllmann (1862-1897) studied at the École Niedermeyer and served as titular organist at Saint-Vincent-de-Paul in Paris .
Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote music reflecting the elegance and urbanity of the Belle Époque. In 1896 he published a collection of one hundred short pieces for organ or harmonium entitled Heures mystiques. These pieces now form volume III of Helga Schauerte-Maubouet’s practical Urtext edition.
The collection is divided into three sub-volumes reflecting the numbering and arrangement of Boëllmann’s autograph fair copy. It offers organists a treasure-trove of easy pieces for use in church services. To play these pieces imaginatively on multi-manual organs, the performer must suitably adapt the musical text; the editor has provided an appendix with registrations for Offertoires I-II (op. 29, nos. 1-2) to serve as examples. In addition to a detailed preface and facsimiles, the edition includes a critical report in three languages and a list of sources.
Following in the tradition of Saint-Saëns, Franck and Gigout , he wrote music reflecting the elegance and urbanity of the Belle Époque. In 1896 he published a collection of one hundred short pieces for organ or harmonium entitled Heures mystiques. These pieces now form volume III of Helga Schauerte-Maubouet’s practical Urtext edition.
The collection is divided into three sub-volumes reflecting the numbering and arrangement of Boëllmann’s autograph fair copy. It offers organists a treasure-trove of easy pieces for use in church services. To play these pieces imaginatively on multi-manual organs, the performer must suitably adapt the musical text; the editor has provided an appendix with registrations for Offertoires I-II (op. 29, nos. 1-2) to serve as examples. In addition to a detailed preface and facsimiles, the edition includes a critical report in three languages and a list of sources.
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Andante op. 30, 1
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Molto moderato op. 29, 4
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Lento op. 30, 1
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Maestoso op. 30, 3
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Largamente op. 30, 2
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Moderato op. 29, 3
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Moderato op. 30, 2
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Andante religioso op. 29.4
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Andantino op. 30, 5
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Lento espressivo op. 30, 3
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Andante maestoso op. 29, 3
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Offertoire funèbre
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Meastoso op. 29, 1
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Entrées:
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Offertoires:
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Largo op. 30, 5
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Entrées Meastoso op. 29, 1 Lento (Entrée funèbre) op. 29, 2 Andante maestoso op. 29, 3 Molto moderat
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Molto moderato op. 30, 4
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Andantino op. 29, 1
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Allegro op. 29, 5
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Andante con moto op. 29, 2
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Maestoso op. 29, 5
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Allegro moderato op. 30, 4
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Lento (Entrée funèbre) op. 29, 2
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Manufacturer Information:
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG
Heinrich-Schütz-Allee 35-37
34131
Kassel
Deutschland
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