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Bach gave his wife Anna Magdalena two handwritten books of music. The second one is of particular value with its gilt-edged, vellum-covered binding. In this little book of 1725 he noted down numerous...

When Günter Henle founded his Urtext publishing company in 1948 he began his catalogue with a two-volume edition (HN 1 and HN 2) of Mozart's 18 piano sonatas. These sonatas remain part of the core rep...

When Günter Henle founded his Urtext publishing company in 1948 he began his catalogue with a two-volume edition (HN 1 and HN 2) of Mozart's 18 piano sonatas. These sonatas remain part of the core rep...

The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (Spring 2007). A detailed commentary rounds off the editions. Both...

The basis for the musical text of this edition without fingerings was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (spring 2007). The eminent Bach...

Although people might like to think that the 'English Suites' were composed after the 'French Suites' (HN 71), 'the temperamental and in part virtuoso flow of these Suites is more characteristic of th...

Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...

Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...

Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. 'Writing a 'Corpse Fantasy' since Monday...

As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting in 183...

As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals - and indeed to such great effect that publishers began to take notice. Starting in 183...

As an avowed Schubert fan, Franz Liszt was fond of performing transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting...

The Sonata in D major is the last of the Six Sonatas K. 279-284 that Mozart had in his luggage when he set off for Paris in September 1777. He had already successfully performed this music in Munich,...

'I wish to do it to reflect the character of Mad:selle Rose,' Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannab...

This 'Lament, or the maiden and the nightingale' is the fourth movement of Granados' six-part piano cycle Goyescas (1909-11). The cycle's title is derived from the name of the Spanish painter Francisc...

The title of Ravel's Miroirs (1904/05) can be interpreted as 'reflections' of the human world of experiences. Among the nature pictures in this cycle, 'Une barque sur l'océan' is particularly popular,...

Fauré's 13 Nocturnes form the most significant group of piano character pieces in his oeuvre. Despite their title - which places them in the tradition of John Field and Frédéric Chopin - Fauré here de...

With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms' early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op....

Many a pianist will be surprised to learn that Dvořák's famous Humoresque no. 7 was originally a piano piece, since this irresistible melody - undoubtedly one of Dvořák's happiest inspirations - has c...

This piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the 'night piece' or 'nocturne' for piano. Its t...

As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6-9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these...