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Sami's Piece was written for a jazz musician, and should be played with a jazz feel (and a nod to polyrhythmic Balkan folk music). It's an exuberant work, relatively short, but dizzying, full of surpr...
Sami's Piece was written for a jazz musician, and should be played with a jazz feel (and a nod to polyrhythmic Balkan folk music). It's an exuberant work, relatively short, but dizzying, full of surpr...
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Sami's Piece was written for a jazz musician, and should be played with a jazz feel (and a nod to polyrhythmic Balkan folk music). It's an exuberant work, relatively short, but dizzying, full of surpr...
Sami's Piece was written for a jazz musician, and should be played with a jazz feel (and a nod to polyrhythmic Balkan folk music). It's an exuberant work, relatively short, but dizzying, full of surpr...
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In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and...
In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and...
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In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and...
In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and...
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Each movement of my suite 'Illuminations' was inspired by a poem by Arthur Rimbaud (1854-1891). The first movement ('...vieilles fanfares d'héroïsme') opens the suite in a festive manner; the second (...
Each movement of my suite 'Illuminations' was inspired by a poem by Arthur Rimbaud (1854-1891). The first movement ('...vieilles fanfares d'héroïsme') opens the suite in a festive manner; the second (...
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Dedicated to Arthur Rubenstein.
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Adapted by Walter Rummel from J. S. Bach's original. 'Von himmel hoch da komm ich her.'
Adapted by Walter Rummel from J. S. Bach's original. 'Von himmel hoch da komm ich her.'
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This work is a free transcription of the aria Wer Bist Du? Frage Dein Gewissen from J. S. Bach's Cantata No 132 Bereitet die Wege, bereitet die Bahn. First performed by Nicholas Hodges at the British...
This work is a free transcription of the aria Wer Bist Du? Frage Dein Gewissen from J. S. Bach's Cantata No 132 Bereitet die Wege, bereitet die Bahn. First performed by Nicholas Hodges at the British...
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This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 7th November 1997 at the Royal Conference Hall, Nottingham, by Kathryn Stott and the Royal Philharmonic Orches...
This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 7th November 1997 at the Royal Conference Hall, Nottingham, by Kathryn Stott and the Royal Philharmonic Orches...
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Includes works by Beethoven, Chopin, Haydn, Liszt, Mozart, Schumann, Tchaikovsky, and others. Arranged in progressive order.
Includes works by Beethoven, Chopin, Haydn, Liszt, Mozart, Schumann, Tchaikovsky, and others. Arranged in progressive order.
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aus op. 2 Vier Klavierstücke
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aus op.11 Vier Rhapsodien
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Ein virtuoses Stück in der Dauer von etwa 6 Minuten, das besonders von den Impulsen des 5/4-Taktes lebt. Es entstand in Fortsetzung der Toccata Op. 54 und empfiehlt sich vornehmlich für Diplomprüfunge...
Ein virtuoses Stück in der Dauer von etwa 6 Minuten, das besonders von den Impulsen des 5/4-Taktes lebt. Es entstand in Fortsetzung der Toccata Op. 54 und empfiehlt sich vornehmlich für Diplomprüfunge...
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