Frédéric Chopin
Andante Spianato Sol Majeur op. 22
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Frédéric Chopin
Andante Spianato Sol Majeur op. 22
- Instrumentation Piano
- Composer Frédéric Chopin
- Edition Sheet Music
- Publisher Editions Bourgès R.
- Order no. EBRA068
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Description:
The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era.
We have set ourselves the goal of offering both "must-haves" from the classical repertoire and pieces by sometimes forgotten composers, all of undeniable pedagogical value. Each piece, sold individually, has been the subject of careful editorial work, both in terms of the musical text and its engraving, in order to guarantee musicians the conditions essential to the pleasures derived from frequent trade in these works.
The scores are offered in traditional book form (paper sheets), and also available by download.
This score appeared in 1836, but dated from around 1830 with the composition of the Andante spianato, which was to form the introduction to the complete work, originally intended for concertante piano. However, pianists such as Alfred Brendel have recorded it entirely at the keyboard, without orchestral support. The introspective, delicately ornamented andante theme plunges us into a world of fairytale poetry, which gradually builds to a heroic agitation worthy of the composer's other Polonaises. An engaging piece, halfway between two genres.
We have set ourselves the goal of offering both "must-haves" from the classical repertoire and pieces by sometimes forgotten composers, all of undeniable pedagogical value. Each piece, sold individually, has been the subject of careful editorial work, both in terms of the musical text and its engraving, in order to guarantee musicians the conditions essential to the pleasures derived from frequent trade in these works.
The scores are offered in traditional book form (paper sheets), and also available by download.
This score appeared in 1836, but dated from around 1830 with the composition of the Andante spianato, which was to form the introduction to the complete work, originally intended for concertante piano. However, pianists such as Alfred Brendel have recorded it entirely at the keyboard, without orchestral support. The introspective, delicately ornamented andante theme plunges us into a world of fairytale poetry, which gradually builds to a heroic agitation worthy of the composer's other Polonaises. An engaging piece, halfway between two genres.