Intermediate Piano

'Eight Escapes' for Piano is a fresh, engaging set of contemporary pieces suitable for pianists of Grades 5-7 who enjoy jazz-influenced music without improvisation. This first collection by Rob Hall f...

Eighteen Jazz Piano Studies, composed by one of the true masters of Jazz: a great way to learn the styles and techniques of this distinguished and versatile musician. Overflowing with ideas and pianis...

52 hymns that will keep you playing all year long! Each song also includes a brief history by Lindsay Rickard.

20 songs of worship wonderfully arranged for easy piano by Phillip Keveren: As the Deer - El Shaddai - Give Thanks - How Beautiful - How Majestic Is Your Name - Lord, I Lift Your Name on High - Oh Lor...

This easy piano songbook contains 17 congregational classics arranged by Phillip Keveren, including: All Hail the Power of Jesus' Name - Be Thou My Vision - Come, Thou Fount of Every Blessing - Christ...

10 more gorgeous hymn arrangements from Glenda Austin.

10 more wonderful arrangements of beloved hymns, a few with unique and unexpected harmonies that congregations will enjoy

Lloyd Larson has taken several of the most familiar settings of Fanny Crosby's immortal lyrics and revitalized them in this collection of ten piano solos. Drawing on the early gospel tradition, these...

Fill the church with praise! Tracey Craig McKibben's collection of exultant hymns is designed to do just that. It features a variety of styles and moods from exuberant to plaintive, but each piece kee...

This composition is taken from the well-known Secular Cantata for Bass Voice Amore Traditore. In playing over this Cantata the writer was impressed by the sparkling vivacity and brilliance of the Cemb...

Adapted from Bach's original by Walter Rummel. 'Ertödt' uns durch dein Güte!'

Adapted by Walter Rummel from J. S. Bach's original. 'Vater unser im himmelreich.'

Adapted from the organ by Walter Rummel from J. S. Bach's original. 'Das alte jahr vergangen ist.'

This aria is taken from the D major Magnificat and was scored for alto voice with organ, continuo and two flutes accompanying. A gracious Gavotte, this time without a chorale, needing no commentary. '...