Alfred Publishing Sheet Music

Hyperdrive: First discussed by science fiction author Isaac Asimov in the 1940s, this term refers to a device which allows a vehicle in space to travel faster than the speed of light, and to describe...

Hyperdrive: First discussed by science fiction author Isaac Asimov in the 1940s, this term refers to a device which allows a vehicle in space to travel faster than the speed of light, and to describe...

Hyperdrive: First discussed by science fiction author Isaac Asimov in the 1940s, this term refers to a device which allows a vehicle in space to travel faster than the speed of light, and to describe...

Here's a great 1940s Glenn Miller standard that will get any string orchestra swinging! The tunes, rhythms, and harmonies of the big-band era all come alive in this clever arrangement. All the string...

Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Finally, there is a simple and straightforward string piece in G Major, aimed towards introducing your ensemble to 5/4 time. Almost like a 'jazz waltz,' this composition will guide your students with...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

The Duke Ellington classic jazz standard is scored for young strings. A superb opportunity to address the jazz component of the standards of learning. The piano part enhances the style. They know the...

The Duke Ellington classic jazz standard is scored for young strings. A superb opportunity to address the jazz component of the standards of learning. The piano part enhances the style. They know the...