Alfred Publishing Sheet Music

The light-hearted melody is perfectly combined with a rhythmic ostinato accompaniment in this piece that will leave you tapping your feet and smiling. Written in C major, the many accidentals used thr...

The light-hearted melody is perfectly combined with a rhythmic ostinato accompaniment in this piece that will leave you tapping your feet and smiling. Written in C major, the many accidentals used thr...

Two-piano music helps develop listening skills, technique, rhythmic control and overall musicianship. A wide range of genres, countries and composers are represented in this edition, including Arensky...

Two-piano music helps develop listening skills, technique, rhythmic control and overall musicianship. A wide range of genres, countries and composers are represented in this edition, including Arensky...

Challenging and musically rewarding advanced duo piano arrangements of four of Gershwin's most popular songs: But Not for Me - It Ain't Necessarily So - Someone to Watch over Me - 'S Wonderful/Funny F...

Federation Festivals 2011-2013 selection.

Federation Festivals 2011-2013 selection.

arr. Mark Nevin

arr. Mark Nevin

Pianist and composer Sylvia Rabinof has written beautiful accompaniments to 15 masterpieces from the world's most celebrated composers. Intermediate to Early Advanced; for two pianos, four hands.

The 5 Classical favorites in this collection have been masterfully arranged for two pianos, four hands.

The 5 Classical favorites in this collection have been masterfully arranged for two pianos, four hands.

The 15 American classics in this collection have been masterfully arranged for two pianos, four hands.

Children's Suite (Canons), Op. 65 was composed in the late 1890s. All eight movements of the suite are written in canon form and are accessible to pianists at the early advanced level. This edition in...

Le matin and Le soir were composed in 1895. The pieces feature contrasting sections, facile and flowing pianism, with cool and colorful endings. Both are excellent examples of Chaminade's charming and...

This lively and fun piano duo features a catchy swung melody accompanied by a perpetual-motion boogie bass that is split between the hands. These parts are traded between the two players with slight v...

The well-known piano solo by Beethoven is enhanced with a second keyboard part in this late intermediate two-piano, four-hand arrangement. The second piano part written by E. L. Lancaster and Kenon Re...

The reflective mood of this piece for early intermediate piano ensemble---two pianos, four hands---is established in the introduction, with a flowing A minor quarter-note arpeggio in Part II. Part I e...

The pastoral scene on the cover of this piece for intermediate piano ensemble, two pianos, four hands, is reflected in the lyrical music by composer Randall Hartsell. The melody in G major is played i...

The pastoral scene on the cover of this piece for intermediate piano ensemble, two pianos, four hands, is reflected in the lyrical music by composer Randall Hartsell. The melody in G major is played i...

Two intermediate level pianists at two separate pianos will enjoy performing this 'fast, festive' dance-like piece in 3/4 time, with both artists having melodic duties while covering higher and lower...

Two intermediate level pianists at two separate pianos will enjoy performing this 'fast, festive' dance-like piece in 3/4 time, with both artists having melodic duties while covering higher and lower...

Playing concertos is one of the most fulfilling experiences a student has during the early years of piano study, and playing ensemble music is indispensable to acquiring overall musicianship. This con...

This early advanced piano duet for two pianos, four hands is in theme and variation form. The theme is stated quietly by Piano II with legato chord accompaniment in Part I. Each variation presents a d...

This early advanced piano duet for two pianos, four hands is in theme and variation form. The theme is stated quietly by Piano II with legato chord accompaniment in Part I. Each variation presents a d...