Amadeus Sheet Music

A string trio that bears strong Romantic traits while paying tribute to the linear movement always desired by the author. The melodically simple pastourelle contrasts consciously.

Score: facsimile of the autograph.

The works of Schneider, who worked in the Royal Chapel in Berlin, reveal a preference for the soloistic use of the viola, which he knew how to employ in four tuplets.

The forms of the linear Inventiones are heightened to the monumental via cadential overtones in the double fugue, whose head theme captures the author's name 'A-es-c-h-b-a-c-h-e-(t)r.'.

After the Adagio for 2 clarinets and 3 basset-horns

Completed and edited by Franz Beyer.

A duo that is completely in the tradition of competitive concertante playing culture, which also does not fail to have its effect as a recital piece.

Contemporaries praised Schwindl's excellently composed violin works, which were intended for effect. They are not difficult, although their 'spirit tends towards sweet melancholy', and are therefore a...

Albrechtsberger's preference for contrapuntal work is also evident in this duo. The piece lives entirely from the imitative development of the motives.

Source: André, 1855 and Litolff, 1891 (A. Schulz and J. Klingenberg).