Amadeus Sheet Music

Mit Einem Einblick In Das Paul-Hindemith-Archiv An der Universität Zürich by Hein Sauerdruckfassung der Hindemith-Vorlesung Des Musikwissenschaftlichen Instituts der Universität Zürich, Gehlten Am 27....

Hans Georg Nägeli and The Democratic Muse

We praise the grandmaster Fasch, whose impressive compositional oeuvre, unpublished during his lifetime, is gradually being 'discovered'. He proves to be a superior contrapuntalist in instrumental pie...

In their passionate character, the pieces are reminiscent of Schumann's Novelletten, while the dreamy vocal parts appear wrapped in an arabesque robe of Chopinian delicacy. Everything has something qu...

The 'newer' masters, into whose works he wants to introduce with his studies, are first and foremost Schumann, Brahms and Wagner. The echoes are audible and it is a pleasure to trace the sources of in...

Edited by Urs Fischer, Hans-Joachim Hinrichsen, Laurenz Lütteken.

The present text is the revised version for print of the author's inaugural lecture delivered at the Aula of the University of Zurich on December 10, 2001.

This beautiful-sounding concerto is distinguished by the fact that it grants the bassoon equal concertante participation, so that an additional continuo-bass part can be dispensed with.

This quintet is also in the tradition of the concerto grosso. They are 'condensed' noble chamber pieces based on a soloist group instead of a ripieno sound body over a continuous continuo bass.

The instrumentation variations of this attractive concerto are many. The title 'La Pastorella' suggests a placid flow of Vivaldi's inexhaustible melodic thought. Light.

Edited after the first printing.