Bärenreiter Verlag Sheet Music

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

Motette für zwei Chöre. Chor 1: Frauenchor-SSAA - Chorpartitur

Frauenchor-SS - Chorpartitur

Frauenchor-SS - Chorpartitur

The choral landscape is changing! On the one hand, more and more choirs in Germany and abroad are experiencing a shortage of male voices - and at the same time, more and more female choirs are looking...

The choral landscape is changing! On the one hand, more and more choirs in Germany and abroad are experiencing a shortage of male voices - and at the same time, more and more female choirs are looking...

Pergolesi's famous 'Stabat mater' quickly began its triumphal march through Europe as a work for two soloists. Nevertheless, there are many indications that there were also choral performances quite e...

The 'Sparrow Mass' in an arrangement for women's choir The 'Missa in C' KV 220 has established a firm place in the repertoire of many choirs to this day. The new series 'Bärenreiter Frauenchor' now in...

The 'Sparrow Mass' in an arrangement for women's choir The 'Missa in C' KV 220 has established a firm place in the repertoire of many choirs to this day. The new series 'Bärenreiter Frauenchor' now in...

Haydn probably wrote his short mass in 1775 for the Order of the Brothers of Mercy in the Eisenstadt monastery. The work owes its nickname 'Little Organ Mass' to the Benedictus with its organ solo. Th...

I Never Saw a Moor (Nach einem Text von Emily Dickinson): Die Komposition bringt das unerschütterliche Vertrauen auf Gott zum Ausdruck und damit die zentrale Aussage des Gedichts von Emily Dickinson....

I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...

The "Gloria" RV 589 is probably one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. The work was almost certainly compos...

The cantata "Wie schön leuchtet der Morgenstern" (BWV 1) was composed on March 25, 1725, when the Feast of the Annunciation coincided with Palm Sunday. It forms the conclusion of Bach's choral cantata...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

Bach's oratorio for Ascension Day was composed in Leipzig in 1735. In terms of scope, it corresponds to a cantata, but in terms of the choice of text, it can be classified as an oratorio. In addition...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

The cantata "Ich hatte viel Bekümmernis" was composed around 1713 and was probably performed by the composer for the first time in the same year at the Liebfrauenkirche in Halle. It was probably not a...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo