Bärenreiter Verlag Sheet Music

Die Handschrift Dresden - Übertragung, Teil I - Partitur; Gesamtausgabe

Die Handschrift Dresden - Übertragung, Teil II - Partitur; Gesamtausgabe

10 mittelschwere Stücke mit Erläuterungen

10 mittelschwere Stücke mit Erläuterungen

'The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.' (Isidore Philipp) What Isidore Philipp described...

The new piano reduction of Mozart's Coronation Concerto K. 537 is based on the musical text of the New Mozart Edition and completes the performance material which has been available for many years (BA...

(Italian/English version): Rossini's Barber of Seville is certainly the composer's best-known work and one of the most frequently performed operas of all time. This piano reduction follows the highly...

In his late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-1795), Haydn shows himself to be a highly distinguished composer, accomplished in form and expression. As the quintessence of h...

Saties 'Ogives' und 'Gymnopédies' sind Meilensteine der musikalischen Moderne. Die metrisch freien 'Ogives' (Spitzbögen) spiegeln den Einfluss der französischen Neugotik bzw. Neogregorianik in Archite...

Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...

> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...

With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...

- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...

With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...

Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...

Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...

I believe - without false vanity - that these three pieces will do well and take their place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it, Debussy w...

I believe - without false vanity - that these three pieces will do well and take their place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it, Debussy w...

It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...

Ravel's cycle of "Valses nobles et sentimentales" caused irritation at the anonymous premiere in 1911 at the Société nationale indépendante in Paris: many suspected Satie or even Kodály as the compose...

Beethoven had promised his Horn Sonata op. 17 to one of the most famous horn players of his time, Johann Wenzel. Although, according to an anecdote from his pupil, he only composed the sonata on the d...

Piano music is of central importance in Fauré's oeuvre. He dedicated his "Ballade", composed in 1879, to his teacher Camille Saint-Saëns. It breaks with the epic form of the genre both through its lyr...

Fauré's '13 Barcarolles', composed over a period of almost four decades (1882-1921), are highly representative of his piano oeuvre and are considered his most characteristic works. They reflect his mo...

Fauré's four "Valses-Caprices" (1882/83-1894) (BA 10843) reflect various forms of his exploration of the waltz in connection with the free form of the caprice. The composer therefore received inspirat...