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Klavier - Spielpartitur; Urtextausgabe
Klavier - Spielpartitur; Urtextausgabe
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Sein Hauptwerk für Klavier, den Zyklus Zivotem a snem (Erlebtes und Erträumtes), hat Josef Suk (1874-1935) als Tagebuch eines Künstlers charakterisiert. Auch wenn Suks Tonsprache den Rahmen der Tonali...
Sein Hauptwerk für Klavier, den Zyklus Zivotem a snem (Erlebtes und Erträumtes), hat Josef Suk (1874-1935) als Tagebuch eines Künstlers charakterisiert. Auch wenn Suks Tonsprache den Rahmen der Tonali...
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Though Bohuslav Martinu produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this Easy Piano Pieces and Dances album,...
Though Bohuslav Martinu produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this Easy Piano Pieces and Dances album,...
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- Lucie Harasim Berná
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The four "Ballades" for piano op. 10 are Brahms' contribution to the instrumental ballad form popular in the mid-19th century. Brahms used the more intimate vocal form as a model for the works compose...
The four "Ballades" for piano op. 10 are Brahms' contribution to the instrumental ballad form popular in the mid-19th century. Brahms used the more intimate vocal form as a model for the works compose...
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Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
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Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
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- Johannes Brahms
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In his research, Christopher Hogwood drew on a source that George Bozarth drew attention to in spring 2011 and which had remained unpublished until then. During a concert tour that the young Brahms un...
In his research, Christopher Hogwood drew on a source that George Bozarth drew attention to in spring 2011 and which had remained unpublished until then. During a concert tour that the young Brahms un...
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The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...
The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...
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Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...
Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...
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Klavier - Partitur; Urtextausgabe
Klavier - Partitur; Urtextausgabe
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Brahms' spirited Rhapsodies op. 79 from 1879 are among the composer's most frequently performed works. For a long time, he could not quite decide on a suitable title and wavered between Piano Piece, C...
Brahms' spirited Rhapsodies op. 79 from 1879 are among the composer's most frequently performed works. For a long time, he could not quite decide on a suitable title and wavered between Piano Piece, C...
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Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
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Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
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Urtext edition reflecting the latest scholarship and taking previously unknown sources into accountIncludes all fragmentary works, some published for the first timeDetailed foreword Ger/Eng) and criti...
Urtext edition reflecting the latest scholarship and taking previously unknown sources into accountIncludes all fragmentary works, some published for the first timeDetailed foreword Ger/Eng) and criti...
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The piano sonatas are considered the true core of Aleksandr Scriabin's oeuvre. No other composer after Beethoven has reshaped this genre so profoundly and thus revitalized its tradition. The desire no...
The piano sonatas are considered the true core of Aleksandr Scriabin's oeuvre. No other composer after Beethoven has reshaped this genre so profoundly and thus revitalized its tradition. The desire no...
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Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
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Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
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Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
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Scholarly-critical Urtext edition including the latest research findingsAll autograph sources consulted, including sketches and draftsFor students, pianists and teachersDetailed foreword (Ger/Eng) and...
Scholarly-critical Urtext edition including the latest research findingsAll autograph sources consulted, including sketches and draftsFor students, pianists and teachersDetailed foreword (Ger/Eng) and...
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The trigger for the piano cycle "Pictures at an Exhibition", composed in 1874, was the memorial exhibition organized in the same year for the painter and architect Viktor Hartmann, who died in 1873 an...
The trigger for the piano cycle "Pictures at an Exhibition", composed in 1874, was the memorial exhibition organized in the same year for the painter and architect Viktor Hartmann, who died in 1873 an...
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the small form is particularly remar...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the small form is particularly remar...
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. Compositionally, the turn to the "small form" is particularly noteworthy...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. Compositionally, the turn to the "small form" is particularly noteworthy...
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- Gerhard Wind
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With fingerings.
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the "small form" is particularly rem...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the "small form" is particularly rem...
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