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Orchester-Ballade. Flöte (2), Oboe (2), Klarinette in b (2), Bass-Klarinette, Fagott (2), Horn (3), Trompete (2), Posaune (3), Tub, Harfe, Pauke, Schlagzeug, Streicher - Partitur; Urtextausgabe; Gesam...
Orchester-Ballade. Flöte (2), Oboe (2), Klarinette in b (2), Bass-Klarinette, Fagott (2), Horn (3), Trompete (2), Posaune (3), Tub, Harfe, Pauke, Schlagzeug, Streicher - Partitur; Urtextausgabe; Gesam...
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Kantàta pro s¢la, Smáseny sbor a orchestr - Kantate für Soli, gemischten Chor und Orchester (1897) - Cantata for soloists, mixed choir and orchestra (1897). Tenor solo, Bariton solo, Gemischter Chor-S...
Kantàta pro s¢la, Smáseny sbor a orchestr - Kantate für Soli, gemischten Chor und Orchester (1897) - Cantata for soloists, mixed choir and orchestra (1897). Tenor solo, Bariton solo, Gemischter Chor-S...
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Even though Janacek's song drama "The Diary of One Who Disappeared" is scored for chamber ensemble, the composer's operatic experience is clearly detectable. This work appears in the series "Complete...
Even though Janacek's song drama "The Diary of One Who Disappeared" is scored for chamber ensemble, the composer's operatic experience is clearly detectable. This work appears in the series "Complete...
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Rameau's only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the 'Opera omnia Rameau'...
Rameau's only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the 'Opera omnia Rameau'...
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Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the "Opera omnia Rameau"...
Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the "Opera omnia Rameau"...
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> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...
> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...
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The new scholarly-critical edition of the score of Rameau's 'ballet héroïque' Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consis...
The new scholarly-critical edition of the score of Rameau's 'ballet héroïque' Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consis...
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The new critical edition of the score has finally shed light on the complex history of its transmission: at its first performance on August 23, 1735, Rameau's "ballet héroïque" Les Indes galantes stil...
The new critical edition of the score has finally shed light on the complex history of its transmission: at its first performance on August 23, 1735, Rameau's "ballet héroïque" Les Indes galantes stil...
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Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...
Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...
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Long classified as secondary because its premiere was connected to a political event, "Les Fêtes de l'Hymen et de l'Amour" is full of dramaturgical innovations that foreshadow Rameau's later operas su...
Long classified as secondary because its premiere was connected to a political event, "Les Fêtes de l'Hymen et de l'Amour" is full of dramaturgical innovations that foreshadow Rameau's later operas su...
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Orchester - Partitur (Leinen); Gesamtausgabe
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Orchester - Partitur (Leinen); Gesamtausgabe
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Orchester - Partitur (Leinen); Gesamtausgabe
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'I can't remember when another work made a more lively, beautiful impression on me' - this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered...
'I can't remember when another work made a more lively, beautiful impression on me' - this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered...
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Orchester - Gesamtausgabe (Leinen); Partitur
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Orchester - Partitur (Leinen); Gesamtausgabe; Urtextausgabe
Orchester - Partitur (Leinen); Gesamtausgabe; Urtextausgabe
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Orchester - Partitur (Leinen); Gesamtausgabe
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Orchester - Partitur (Leinen); Gesamtausgabe
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Gade composed the cantata 'The Crusaders' op. 50 for soloists, choir and orchestra (termed as 'Dramatic Poem' in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together...
Gade composed the cantata 'The Crusaders' op. 50 for soloists, choir and orchestra (termed as 'Dramatic Poem' in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together...
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Psyches Liebe und innige Hingabe und Treue führen sie durch Leid und Tod zu einer höheren Welt und zu einem höheren, reineren Leben – es schmeckt doch immer nach Vogel, auch wenn man bloß den Flügelsc...
Psyches Liebe und innige Hingabe und Treue führen sie durch Leid und Tod zu einer höheren Welt und zu einem höheren, reineren Leben – es schmeckt doch immer nach Vogel, auch wenn man bloß den Flügelsc...
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Instrumentation: 0, 2 (2nd also Eh), 0, 0 - 2, 0, 0, 0, 0 - Str (9 V, 3 Va, 2 Vc, Kb; Kb five-string)/14 minutes Premiere on June 4, 1998 in Grenchen/Switzerland: London Mozart Players, conductor Matt...
Instrumentation: 0, 2 (2nd also Eh), 0, 0 - 2, 0, 0, 0, 0 - Str (9 V, 3 Va, 2 Vc, Kb; Kb five-string)/14 minutes Premiere on June 4, 1998 in Grenchen/Switzerland: London Mozart Players, conductor Matt...
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