Bärenreiter Verlag Sheet Music

The ten "Biblical Songs" op. 99 based on psalm texts from the Czech Kralice Bible are the highlight of Antonín Dvorák's extensive song oeuvre. The unique cycle was composed in the United States in 189...

Dvorák composed the song cycle Gypsy Melodies op. 55 after texts by the Czech poet Adolf Heyduk at the beginning of 1880 at the request of Gustav Walter, a tenor from Bohemia and member of the Vienna...

Dvorák composed the song cycle Zigeunermelodien op. 55 after texts by the Czech poet Adolf Heyduk at the beginning of 1880 at the request of Gustav Walter, a tenor from Bohemia and member of the Vienn...

The libretto of what is likely Handel's shortest opera - and apart from Mozart's 'Lucio Silla' the most important musical setting of the text - is based on Plutarch's biography of Roman consul and dic...

The libretto of Handel's probably shortest opera - the most important setting of the material alongside Mozart's "Lucio Silla" - is based on Plutarch's description of the life of the cruel Roman consu...

Handel's three-act opera "Sosarme, Re di Media" (HWV 30) was first performed in 1732 with the star castrato Senesino in the title role. The plot centers on a family conflict over the succession to the...

Handel composed his first Italian oratorio "La Bellezza ravveduta nel trionfo del Tempo e del Disinganno" in 1707, based on an allegorical and moralistic libretto by his patron Cardinal Benedetto Pamp...

Handel's cantatas for solo voice and basso continuo are a treasure waiting to be discovered. There are more than 80 compositions and probably the least known group of works by Handel. Their neglect is...

For Beat Furrer, the poet Dino Campana (1885-1932) is "probably the only Italian writer of his time who was able to bring the new futuristic ideas to life with great poetic power and a strong connecti...

Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, provide the basis for a "sequence of images" of human emotional worlds. While retaining a cantabi...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

After the already published early love songs "The Cypresses", the Urtext editions of all Dvorák's other songs with piano accompaniment are now forthcoming. The collection "Songs II" comprises the matu...

The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...

3 Konzerte für 2 Frauenstimmen und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Der Partitur liegt die Stimme für ein Continuo-Instrument bei. Frauenstimme (2), Basso continuo. Singpartitur; Spiel...

Urtext der Neuen Schubert-Ausgabe. Sopran, Klavier - Singpartitur; Spielpartitur; Urtextausgabe

Opéra comique in 3 Akten. Klavierauszug (französisch/deutsch) nach dem Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (3) 2 Spr, Piccolo, Flöte, Oboe (2), Englischhorn (2),...

Drame lyrique in three acts and a prologue (1779) Libretto: Louis-Théodore Baron de Tschudi (after "Narcissos ed Eco" from Ovid's Metamorfosi) (French) Premiere: September 24, 1779, Paris, Opéra (Pala...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritu...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritu...