Baton Music
François-Adrien Boieldieu (1775 - 1834) was a popular French composer with great successes in 'Grand Opera' and 'Opéra Comiques'. His popularity resulted in his nickname 'The French Mozart'. Out of al...
François-Adrien Boieldieu (1775 - 1834) was a popular French composer with great successes in 'Grand Opera' and 'Opéra Comiques'. His popularity resulted in his nickname 'The French Mozart'. Out of al...
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- Rens van Leeuwen
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Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
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Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
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Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
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Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
Eden is written by Matthias van Nispen tot Pannerden. It is inspired by a few phrases from the Biblical book of Genesis and has a similar instrumentation as Et exspecto resurrectionem mortuorum, from...
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Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
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- Roger Niese
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Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
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- Roger Niese
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Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
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- Roger Niese
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Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...
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- Roger Niese
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos Dobbelstein
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos Dobbelstein
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos Dobbelstein
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos Dobbelstein
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'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
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- Christiaan Janssen
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'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
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- Christiaan Janssen
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'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
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- Christiaan Janssen
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'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
'Tod und Verklärung' (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novem...
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- Christiaan Janssen
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For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
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- Jos van de Braak
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For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
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- Jos van de Braak
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For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
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- Jos van de Braak
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For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
For the Künstlerball (Artists' Ball) in the Sophiensaal in Vienna in 1858 Johann Strauss arranged a quadrille with melodies of various composers as a mirror of the running concert season 1857/58. In f...
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- Jos van de Braak
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Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
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- Thom Roosen
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Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
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- Thom Roosen
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Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
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- Thom Roosen
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Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
Pascual Marquina Narro (1873 - 1948) was a prolific Spanish orchestral and operatic composer. As a composer he is particularly known for his pasodoble works. Among these belong the very well-known pas...
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- Thom Roosen
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Baton Music
The music publisher Baton Music offers a large repertoire of wind band sheet music, sheet music for brass and brass from the areas of classical music, opera and operetta. Here you can find the complete offer with over 720 sheet music from Baton Music.