Baton Music

The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...

The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)

The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)

The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)

The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...

The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...

The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...