Boosey & Hawkes Sheet Music

Inspired by and incorporating the plainsong melody, this exquisite new choral work by Kerensa Briggs breathes new life into the cherished Latin text 'Ubi caritas et amor, Deus ibi est' ('Where charity...

An evocative a cappella setting of Ivor Gurney's words to his song Severn Meadows, likely written in the first world war trenches in 1917. Commissioned in 2022 for Cantores Chamber Choir, this new, ha...

A beautiful, transcendent setting of the Latin text 'O mysterium ineffabile' ('O ineffable mystery'), a text which exclaims the greatness and divinity of the eucharistic feast. Commissioned in 2023 by...

Ave virgo sanctissima was commissioned by Robert Sharpe and the Choir of York Minster, for the service of "Nine Lessons and Carols" in 2023. The text is a lyrical prayer which praises the virtue of Ma...

O sing to the Lord was commissioned by Peter Asprey and premiered by the Choir of Holy Sepulchre, London, as the introit for a special service to mark St Cecilia’s Day in 2024. The uplifting text, tak...

Echo is the third movement of Seascapes, which was commissioned by the BBC Singers, as companion music to the Four Sea Interludes by Benjamin Britten, arranged for the organ by Anna Lapwood. It was pr...

Written for the inauguration ceremony of Yale University's 23rd President, this is especially appropriate for a convocation, commencement, or any academic ceremony. 'Who is wise' is answered in the fi...

O Gloriosa Domina is divided into three distinct parts: the beginning is in chorale style with sparkling harmonies and surprising chords throughout. A contrasting, fast and very rhythmic middle sectio...

The Saddest Noise is a setting of Emily Dickinson's poem The Saddest Noise, the Sweetest Noise. It begins the story of The Lost Birds in spring: the season of birth and renewal, and a time of year whe...

Wild Swans, a setting of a poem by Edna St. Vincent Millay, ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the sound of bird cries: gradually approachin...

With a simple melody inspired by children's songs, All That Could Never Be Said is a setting of Sara Teasdale's poem In the End. Showcasing her signature pairing of nihilism and pastoral beauty, the p...

The final track on Jacob Collier's four-part, genre-bending, award-winning and world-conquering Djesse album series, this seven minute choral opus was recorded in partnership with Jason Max Ferdinand...

Eine wesentliche Bereicherung des mittelschweren Cellorepertoires. Das bekannte 'Fiddler'-Format enthält die Cellomelodie, die Begleitung und leichte Stimmen, einschliesslich Klavierbegleitung und Git...

This traditional favorite from Scotland evokes memories of blooming love amidst the wild mountain thyme. This arrangement is especially suited for choirs with changing voices.

Lift Our Voices is a joyous and upbeat original composition written for two-part treble choirs that invites musicians and audiences to celebrate the human potential for harmony and change. The uplifti...

Illustration of the handsigns Kodály uses for his choral method.

A collection of books comprising the music which Kodaly composed and collected for the Method. Based on sol-fa notation combined with unaccompanied part singing from the earliest stages in a child's s...

This opera is the final section of the entertainment for young people called Let`s Make an Opera. The first section of this is in the form of a play and illustrates the preparation and rehearsal of an...

This medley of nursery rhymes is perfect for a classroom of young singers! Simple percussion parts add musical interest to these twelve familiar tunes.

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