Bote & Bock Sheet Music

2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen 'Die wilden Schwäne' das Ballett 'Wild Swans' für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen ha...

Composer's note: 'This piece (originally for cello and piano) was written for an exhibition devoted to artists suffering schizophrenia in 2006. At the base of the piece is a 4-chord progression, very...

Anmerkung der Komponistin: 'Dieses Stück wurde 2006 (für Violoncello und Klavier) für eine Ausstellung geschrieben, die Künstlern gewidmet war, die an Schizophrenie leiden. Grundlange des Stücks ist e...

Die Komponistin zählt Green Leaf Prelude zu ihren liebsten Stücken und hat es für unterschiedlichste Besetzungen eingerichtet. Original handelt es sich um dem Beginn der Ballettmusik Wild Swans von 20...

Composer's note: 'Originally a song for children about flying in ones dreams, this lyrical piece tries never to touch the ground. The work was used in the Rugby 2003 World Cup opening ceremony in a ve...

Das rhapsodische, knapp zehnminütige Stück zieht seinen Reiz aus wechselnden Metren und verschiedenen dramatischen Steigerungen innerhalb einer insgesamt dunkel-verhangenen Stimmung. Die 'Ballade' des...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

Note by the composer: "This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. The basis of the piece is a sequence of four chor...

Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...

The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark, overcast mood. The Ballade (ballad) of the title develops, after a...

The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark, overcast mood. The Ballade (ballad) of the title develops, after a...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

To mark the 100th birthday of Ursula Mamlok (1923 - 2016), Boosey & Hawkes Bote & Bock, in collaboration with the Dwight and Ursula Mamlok Foundation, is publishing a series of works from the composer...

The work was commissioned by the Schwetzingen Mozart Festival at the suggestion of clarinetist Nikolaus Friedrich who wished to enrich the rather meagre repertoire for basset clarinet. This edition co...

The work was commissioned by the Schwetzingen Mozart Festival at the suggestion of clarinetist Nikolaus Friedrich who wished to enrich the rather meagre repertoire for basset clarinet. This edition co...

Hans Winterberg (1901-1991) left behind a rich chamber music oeuvre, which has only recently been made accessible through first editions and CD productions. In addition to one string trio, four string...

Hans Winterberg (1901-1991) left behind a rich chamber music oeuvre, which has only recently been made accessible through first editions and CD productions. In addition to one string trio, four string...

In the context of the non-tonal, rhythmically complex tonal language of Hans Winterberg's works of the 1960s, the Sudeten-Suite with its turn to tonality has its own special place. The three movements...

The period around the mid-1930s was a particularly fruitful and eventful time in Hans Winterberg's life. He wrote his first important orchestral compositions and chamber music works as well as his fir...

In Hans Winterberg's turbulent first half of his life, there were two periods of calm, phases in which he must have had the feeling of having "arrived", of making his way and enjoying the recognition...