Breitkopf & Härtel Sheet Music

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

Expansion of the small 'Himmlische' The expansion of the 'Breitkopf Studienpartituren' with their 'heavenly' small blue cover is proceeding with nice regularity. After the Mozart piano concertos in th...

In cooperation with the G. Henle Verlag 'The' Piano Concerto in Urtext

Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Y...

Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double...

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits...

From the early years of the clarinet concerto Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo in...

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. The clean autograph of the Horn Concerto in Eb majo...

Entstanden während seines langjährigen Aufenthalts in Paris, sind diese drei symphonischen Impressionen für Klavier und Orchester von Manuel de Falla ein expressives Werk, das die südspanischen Gärten...

Created in cooperation with G. Henle Verlag Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing...

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted source...

The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from...

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trump...

Neben dem Widmungsträger Pablo de Sarasate, nahmen viele namhafte Geiger wie Eugène Ysaye und später Jacques Thibaud das Konzertstück, das Camille Saint-Saëns 1863 komponiert hatte, in ihr Repertoire...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns’ concert piece composed in 1...

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime...

In the fall of 1909, Sibelius wrote in his diary: 'At Koli! One of the greatest experiences of my life. Plans [for] 'La Montagne'! It turned out that these were plans for the Fourth Symphony. The comp...

edited by Martin Schmeling

The alternating judgments - 'worthless, completely unplayable' (according to Nikolai Rubinstein, to whom Tchaikovsky had actually intended his B-flat minor concerto) and 'magnificent' or 'ravishing' (...