Breitkopf & Härtel Sheet Music
Immerse yourself in the magnificent orchestral currents of Bedřich Smetana’s masterpiece "Die Moldau" (Vltava) from the celebrated symphonic cycle "My Fatherland" (Má vlast). Serving as the powerful s...
Immerse yourself in the magnificent orchestral currents of Bedřich Smetana’s masterpiece "Die Moldau" (Vltava) from the celebrated symphonic cycle "My Fatherland" (Má vlast). Serving as the powerful s...
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- Instrumental Part: Double Bass (Urtext)
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- Harmony Parts (Urtext)
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Harmony parts: 2 oboes, 2 bassoons.
- Horn and Orchestra
- Harmony Parts (Urtext)
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- Horn and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Horn and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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- Horn and Orchestra
- Instrumental Part: Viola (Urtext)
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- Horn and Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
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- Horn and Orchestra
- Harmony Parts (Urtext)
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Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
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- Instrumental Part: Viola (Urtext)
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Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
- Horn and Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
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Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
- Horn and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
- Horn and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Double Bass (Urtext)
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ships within 2-5 working days
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Viola (Urtext)
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ships within 2-5 working days
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Cello (Urtext)
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ships within 2-5 working days
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Violin 1 (Urtext)
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Violin 2 (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
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- Instrumental Part: Violin 1 (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
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- Instrumental Part: Violin 2 (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
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- Instrumental Part: Viola (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...
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- Instrumental Part: Cello (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
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- Instrumental Part: Double Bass (Urtext)
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Harmony parts: piccolo flute, flute (2), oboe (2), clarinet (2), bassoon (2), horn (2), trumpet (2), snare drum
Harmony parts: piccolo flute, flute (2), oboe (2), clarinet (2), bassoon (2), horn (2), trumpet (2), snare drum
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Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
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- Instrumental Part: Double Bass (Urtext)
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Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...
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- Instrumental Part: Viola (Urtext)
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Breitkopf & Härtel
The music publisher Breitkopf & Härtel offers a large repertoire of choral sheet music, sheet music for orchestra and instruments from the fields of sacred music, classical music and music education. Here you will find the complete offer with over 9,370 sheet music from Breitkopf & Härtel.