Breitkopf & Härtel Sheet Music

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

Premiere: Dresden, Dresden Philharmonic, June 3, 2016 Commissioned by the Dresden Philharmonic during the "Composer-in-residence" season 2015/16

With the publication of the score and parts of the D major Horn Concerto K. 412/514, Mozart expert Henrik Wiese continues the orchestral edition of this important group of works begun in 2013. What wa...

With the publication of the score and parts of the D major Horn Concerto K. 412/514, Mozart expert Henrik Wiese continues the orchestral edition of this important group of works begun in 2013. What wa...

With the publication of the score and parts of the D major Horn Concerto K. 412/514, Mozart expert Henrik Wiese continues the orchestral edition of this important group of works begun in 2013. What wa...

With the publication of the score and parts of the D major Horn Concerto K. 412/514, Mozart expert Henrik Wiese continues the orchestral edition of this important group of works begun in 2013. What wa...

The two-movement Horn Concerto in D major, K. 412, which has survived in incomplete form, was long considered Mozart's first horn concerto, but it is his last, written between March and December 1791....

The two-movement Horn Concerto in D major, K. 412, which has survived in incomplete form, was long considered Mozart's first horn concerto, but it is his last, written between March and December 1791....

The two-movement Horn Concerto in D major, K. 412, which has survived in incomplete form, was long considered Mozart's first horn concerto, but it is his last, written between March and December 1791....