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Fünf lateinische Passionsmotetten aus Schütz' Cantiones-sacrae-Druck op. 4 von 1624 in der bewährten Tradition der Stuttgarter Schütz-Ausgaben.
Fünf lateinische Passionsmotetten aus Schütz' Cantiones-sacrae-Druck op. 4 von 1624 in der bewährten Tradition der Stuttgarter Schütz-Ausgaben.
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Fünf lateinische Passionsmotetten aus Schütz' Cantiones-sacrae-Druck op. 4 von 1624 in der bewährten Tradition der Stuttgarter Schütz-Ausgaben.
Fünf lateinische Passionsmotetten aus Schütz' Cantiones-sacrae-Druck op. 4 von 1624 in der bewährten Tradition der Stuttgarter Schütz-Ausgaben.
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Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
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Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
- Mixed Choir and Basso continuo
- CD (Choral Part: Alto)
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Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
- Mixed Choir and Basso continuo
- CD (Choral Part: Tenor)
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Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
Heinrich Schütz composed the "Musikalische Exequien" SWV 279-281 for the funeral service of his sovereign Heinrich Posthumus Reuß in 1635/1636. Of the three parts, which were to be performed at differ...
- Mixed Choir and Basso continuo
- CD (Choral Part: Bass)
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mit singbarer englischer Übersetzung - Fav SATB, [Cap SATB, 4 Instr], Bc - Tonart G-Mixolydisch
mit singbarer englischer Übersetzung - Fav SATB, [Cap SATB, 4 Instr], Bc - Tonart G-Mixolydisch
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mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch
mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch
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mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch
mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch
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Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...
Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...
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Das deutsche Nunc dimittis, Canticum für die liturgische Vesper, hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen....
Das deutsche Nunc dimittis, Canticum für die liturgische Vesper, hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen....
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- Instrumental Part: Continuo
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- Choir and Ensemble
- Set of Parts
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- Instrumental Part: Organ
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Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
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Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
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Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch
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In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
- Mixed Choir (SSATTB) and Continuo
- Instrumental Part: Continuo
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In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...
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- Instrumental Part: Organ
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Der reiche Mann und der arme Lazarus. Evangeliendialog - Tonart g-dorisch
Der reiche Mann und der arme Lazarus. Evangeliendialog - Tonart g-dorisch
- 5 Voices, 2 Flutes, 2 Violins, Double Bass and Organ
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Die deutsche Litanei - Komposition von Anon., durch Bruno Grusnick Schütz zugeschrieben - Coro SA/SATB, Org
Die deutsche Litanei - Komposition von Anon., durch Bruno Grusnick Schütz zugeschrieben - Coro SA/SATB, Org
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Die deutsche Litanei - Komposition von Anon., durch Bruno Grusnick Schütz zugeschrieben - Coro SA/SATB, Org
Die deutsche Litanei - Komposition von Anon., durch Bruno Grusnick Schütz zugeschrieben - Coro SA/SATB, Org
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Opus 7. Begräbnismusik in drei Teilen für sechs, acht oder mehr Stimmen mit Generalbass
Opus 7. Begräbnismusik in drei Teilen für sechs, acht oder mehr Stimmen mit Generalbass
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- Tonart : g-dorisch
- Tonart : g-dorisch
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- Instrumental Parts: Cello and Double Bass
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