Chester Music

Piccolo and Piano Reduction. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997, by Stewart McIlwham and the Royal Philharmonic Orchestra, conduct...

Un Joueur de flute berce les ruines (A flute player lullabies the ruins), is dated 1942. There is little information known about this piece since discovery of the manuscript. The work is modal and mel...

Light still and moving, a work for flute and kantele a traditional Finnish and Karelian plucked instrument - was premiered by Camilla Hoitenga and Eija Kankaanranta on 18 February 2017 in Paris as par...

Hervorragende Sammlung mit 14 anspruchsvollen Konzertwerken für Flöte und Klavier oder Flöte solo sowie Anmerkungen des englischen Flötisten Trevor Wye.

The composer originally intended to model this new work on her favourite flute piece, Bach's Second Suite, and started to write an Overture. Sensing great energy from this beautiful medium, though, sh...

Pieces of Light was commissioned by the Flautadors for their 20 th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memo...

The cadenzas to the first, second and third movements of Mozart's Concerto for Flute and Harp K. 299, as re-written by Andre Previn.

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...

Song For Athene' is a work by British composer John Tavener, arranged by Barry Rose for Upper Voices and Organ, with optional Cello. The text is taken from Shakespeare's 'Hamlet', as well as from the...

John Tavener's 'Awed By The Beauty', from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment, by Barry Rose. The all-night vigil 'The Veil Of The Temple' was comm...

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. Commissioned to mark the 20th Anniversary of St Albans Abbey Girls Choir, the piece sets a poem by Christina...

Day by Day was written for the Chamber Choir of Burntwood School and their conductor Debbie Lammin. It was first performed by them on 25th March 2019 at the Royal Festival Hall, London, as part of A B...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

L'Orfeo is an opera from 1607, based around the legend of Orpheus and Eurydice. It is often cited as the earliest opera still regularly performed today. The libretto was written by the Italian lawyer...

New edition of Handel's great comic opera edited by Charles Mackerras and Noel Davies in Italian and English. Includes suggestions for ornamentation and performance practice.

Two Human Hymns comprises of settings for six-part choir and organ of two poems by 17th century English poets who are almost exact contemporaries; George Herbert and Henry King. The music for the choi...

All The Ends Of The Earth is a choral motet written for a Europe-wide radio broadcast on Millennium Day 1st January, 2000. It is based on Perotin's organum Viderunt Omnes. Scored for S. A. T. B. choru...

Three short choral settings of peoms by George Herbert, commissioned by The Spitalfields Festival in memory of Peter Lerwill, a generous supporter of the festival. The first performance of the set too...

This work was commissioned by the BBC. It was first performaed in 11 August 1995, as part of a Henry Wood Promenade Concert at teh Royal Albert Hall, London, by the BBC Symphony Orchestra and the BBC...

Nyman's 2011 The Prologue to Dido and Aeneas is a prologue to Henry Purcell's opera on a libretto by Nahum Tate. The libretto is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Quee...