Clifton Edition

Our first publication for accordion, carefully arranged by the esteemed accordionist Yvonne Warmelink from The Netherlands. Includes chord symbols.

Variations on La Folia was first published in 1710 when Schickhardt was working in Amsterdam. The piece appears within a collection called 'Sonates Pour La Chambre à Deux Flutes et une Basse Continue'...

Fifteen short blues numbers. Terry Cathrine teaches in Edinburgh and has been piloting this recent edition throughout his busy teaching practice.

Single movement work, very popular with viola players studying for grades 6-7.

Single movement work, very popular with viola players studying for grades 6-7.

I first heard Walton's Viola Concerto in my youth and the mixture of haunting sadness and exuberance won me over immediately. Although other composers have written works for the instrument, they are s...

I first heard Walton's Viola Concerto in my youth and the mixture of haunting sadness and exuberance won me over immediately. Although other composers have written works for the instrument, they are s...

Many violists have grown up on a diet of violin studies transcribed for viola, and plenty have thrived on them, even though the studies are in many cases composed with melodic patterns and fingerings...

Many violists have grown up on a diet of violin studies transcribed for viola, and plenty have thrived on them, even though the studies are in many cases composed with melodic patterns and fingerings...

Two beautiful contrasting rags: The Entertainer and Bethena.

Two beautiful contrasting rags: The Entertainer and Bethena.

Six pieces in varied jazz and rock styles, with easy piano accompaniment.

Six pieces in varied jazz and rock styles, with easy piano accompaniment.

Three Pieces Op. 40, were originally composed in 1898 for violin and piano. Dr Grant's sensitive transcription for viola and piano features careful editing and includes the addition of helpful fingeri...

Three Pieces Op. 40, were originally composed in 1898 for violin and piano. Dr Grant's sensitive transcription for viola and piano features careful editing and includes the addition of helpful fingeri...

Invocation Op. 55, was originally composed in 1904 for violin and piano. Dr Grant's sensitive transcription for viola and piano features careful editing and includes the addition of helpful fingering...

Invocation Op. 55, was originally composed in 1904 for violin and piano. Dr Grant's sensitive transcription for viola and piano features careful editing and includes the addition of helpful fingering...

Romance Op. 23, was originally composed in 1893 for violin and piano. Dr Grant's sensitive transcription for viola and piano features careful editing and includes the addition of helpful fingering in...

Romance Op. 23, was originally composed in 1893 for violin and piano. Dr Grant's sensitive transcription for viola and piano features careful editing and includes the addition of helpful fingering in...

15 Original Blues, Jazz and Swing Pieces for Cello with Piano or dowloadable backing tracks. The cello part on the recordings was played by Janet Smith. Series: Let's Swing. Backing Tracks Cello parts...

15 Original Blues, Jazz and Swing Pieces for Cello with Piano or dowloadable backing tracks. The cello part on the recordings was played by Janet Smith. Series: Let's Swing. Backing Tracks Cello parts...

The CELLOWISE series of popular classics has received favourable reviews for its choice of music, the authenticity of its arrangements and " an utmost sensitivity and regard for young players to enabl...

The CELLOWISE series of popular classics has received favourable reviews for its choice of music, the authenticity of its arrangements and " an utmost sensitivity and regard for young players to enabl...

Another Volume in this highly acclaimed series exploring vivid and dramatic themes from the great classics. Trinity Grade 7. Each is made available to the intermediate cellist in engaging and idiomat...

Another Volume in this highly acclaimed series exploring vivid and dramatic themes from the great classics. Trinity Grade 7. Each is made available to the intermediate cellist in engaging and idiomat...