Edwin F. Kalmus Sheet Music
Hungarian violinist, composer, and music teacher Jenö Hubay (1858-1937) wrote a total of fourteen SCENES DE LA CZARDA (also SCÈNES DE LA CSÁRDA) over a forty-year period between 1879 and 1920. Intende...
Hungarian violinist, composer, and music teacher Jenö Hubay (1858-1937) wrote a total of fourteen SCENES DE LA CZARDA (also SCÈNES DE LA CSÁRDA) over a forty-year period between 1879 and 1920. Intende...
- Violin and Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
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Édouard Lalo (1823-1892) wrote his SYMPHONIE ESPAGNOLE (also sometimes called his VIOLIN CONCERTO No. 2 as it is more a violin concerto than symphony), for the famed violinist Pablo Sarate in 1874. Th...
Édouard Lalo (1823-1892) wrote his SYMPHONIE ESPAGNOLE (also sometimes called his VIOLIN CONCERTO No. 2 as it is more a violin concerto than symphony), for the famed violinist Pablo Sarate in 1874. Th...
- Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
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Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...
Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...
- Orchestra
- Single Part
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Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...
Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...
- Piano and Orchestra
- Instrumental Part: Piano
- Josef V. von Woss, Ignaz Friedman
- Edwin F. Kalmus
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The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
- Piano and Orchestra
- Instrumental Part: Piano
- Edwin F. Kalmus
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Alexandre Luigini (1850-1906) composed Ballet égyptien, Op. 12, in 1875 during the height of Europe's fascination with exotic and Oriental subjects, a trend fueled in part by archaeological discoverie...
Alexandre Luigini (1850-1906) composed Ballet égyptien, Op. 12, in 1875 during the height of Europe's fascination with exotic and Oriental subjects, a trend fueled in part by archaeological discoverie...
- Orchestra
- Edwin F. Kalmus
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Alexandre Luigini (1850-1906) composed Ballet égyptien, Op. 12, in 1875 during the height of Europe's fascination with exotic and Oriental subjects, a trend fueled in part by archaeological discoverie...
Alexandre Luigini (1850-1906) composed Ballet égyptien, Op. 12, in 1875 during the height of Europe's fascination with exotic and Oriental subjects, a trend fueled in part by archaeological discoverie...
- Orchestra
- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle,...
Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle,...
- Piano and Orchestra
- Single Part 2 Pianos
- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote his Violin Concerto in E minor over a six-year period from 1838 to 1844 for his childhood friend, the violinist Ferdinand David, who contributed the cadenza in the...
Felix Mendelssohn (1809-1847) wrote his Violin Concerto in E minor over a six-year period from 1838 to 1844 for his childhood friend, the violinist Ferdinand David, who contributed the cadenza in the...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote his Violin Concerto in E minor over a six-year period from 1838 to 1844 for his childhood friend, the violinist Ferdinand David, who contributed the cadenza in the...
Felix Mendelssohn (1809-1847) wrote his Violin Concerto in E minor over a six-year period from 1838 to 1844 for his childhood friend, the violinist Ferdinand David, who contributed the cadenza in the...
- Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
- Orchestra
- Score
- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
- Orchestra
- Choral Score
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
- 2-3 Pianos and Orchestra
- Instrumental Part: Piano 1
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
- 2-3 Pianos and Orchestra
- Instrumental Part: Piano 2
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
Wolfgang Amadeus Mozart (1756-1791) first wrote his CONCERTO FOR THREE PIANOS AND ORCHESTRA in F, No. 7, K. 242 in February of 1776. While it was originally composed for three solo pianos, Mozart reco...
- 2-3 Pianos and Orchestra
- Instrumental Part: Piano 3
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) composed the Concerto for Piano No. 21 in C Major, K. 467 in Vienna in early 1785, completing it on March 9 during one of the most astonishingly productive periods...
Wolfgang Amadeus Mozart (1756-1791) composed the Concerto for Piano No. 21 in C Major, K. 467 in Vienna in early 1785, completing it on March 9 during one of the most astonishingly productive periods...
- Piano and Orchestra
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) composed the Concerto for Piano No. 21 in C Major, K. 467 in Vienna in early 1785, completing it on March 9 during one of the most astonishingly productive periods...
Wolfgang Amadeus Mozart (1756-1791) composed the Concerto for Piano No. 21 in C Major, K. 467 in Vienna in early 1785, completing it on March 9 during one of the most astonishingly productive periods...
- Piano and Orchestra
- Edwin F. Kalmus
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In 1775, Wolfgang Amadeus Mozart (1756-1791) wrote his five violin concertos for Gaetano Brunetti, a violinist in the Salzburg court where he served as Konzertmeister. In a letter to his father, he re...
In 1775, Wolfgang Amadeus Mozart (1756-1791) wrote his five violin concertos for Gaetano Brunetti, a violinist in the Salzburg court where he served as Konzertmeister. In a letter to his father, he re...
- Violin and Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
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Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
- Violin, Viola and Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
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Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...
- Violin, Viola and Orchestra
- Instrumental Part: Viola Solo
- Edwin F. Kalmus
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In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
- Orchestra
- Instrumental Part: Bassoon
- Edwin F. Kalmus
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In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
- Orchestra
- Instrumental Part: Clarinet
- Edwin F. Kalmus
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In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
- Orchestra
- Instrumental Part: Horn
- Edwin F. Kalmus
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In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but th...
- Orchestra
- Instrumental Part: Oboe
- Edwin F. Kalmus
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ships within 2-4 weeks
Edwin F. Kalmus
The music publisher Edwin F. Kalmus offers a large repertoire of classical works for voice, choir, piano, strings, winds and ensemble. Here you will find the complete offer with over 1,800 sheet music by Edwin F. Kalmus.