Edwin F. Kalmus Sheet Music
Gioachino Rossini (1792-1868) began work on his version of the traditional hymn, Stabat Mater, in 1831 at the request of one Fernández Varela. As ill health kept Rossini from completing the commission...
Gioachino Rossini (1792-1868) began work on his version of the traditional hymn, Stabat Mater, in 1831 at the request of one Fernández Varela. As ill health kept Rossini from completing the commission...
- Soloists, Mixed Choir and Chamber Orchestra
- Score and Parts
- Edwin F. Kalmus
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This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...
This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...
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This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...
This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...
- Mixed Choir, Soloists, Organ and Chamber Orchestra
- Score and Parts
- Edwin F. Kalmus
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The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...
The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...
- Chamber Orchestra
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- Clayton Westermann
- Edwin F. Kalmus
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Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...
Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...
- Chamber Orchestra
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- Clayton Westermann
- Edwin F. Kalmus
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- Mixed Choir and Chamber Orchestra
- Score and Parts
- Edwin F. Kalmus
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KOMM, SÜSSER TOD (Come, Sweet Death) was originally written for solo voice and basso continuo as part of the 69 SACRED SONGS AND ARIAS that J. S. Bach contributed to MUSICALISCHES GESANGBUCH by Georg...
KOMM, SÜSSER TOD (Come, Sweet Death) was originally written for solo voice and basso continuo as part of the 69 SACRED SONGS AND ARIAS that J. S. Bach contributed to MUSICALISCHES GESANGBUCH by Georg...
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- Leopold Stokowski
- Edwin F. Kalmus
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Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Inc...
Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Inc...
- Piano
- Sheet Music
- Hans Bischoff
- Edwin F. Kalmus
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Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Inc...
Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Inc...
- Piano
- Sheet Music Download
- Hans Bischoff
- Edwin F. Kalmus
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Johann Sebastian Bach (1685-1750) composed his CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (WE THANK YOU, GOD, WE THANK YOU), BWV 29 for the installation of the new Leipzig town council in 17...
Johann Sebastian Bach (1685-1750) composed his CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (WE THANK YOU, GOD, WE THANK YOU), BWV 29 for the installation of the new Leipzig town council in 17...
- Soloists, Mixed Choir and Orchestra
- Director's Score
- Wilhelm Rust
- Edwin F. Kalmus
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Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...
Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Score
- Wilhelm Rust
- Edwin F. Kalmus
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Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...
Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Score and Parts
- Wilhelm Rust
- Edwin F. Kalmus
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ships within 2-4 weeks
Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...
Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Piano Score
- Wilhelm Rust
- Edwin F. Kalmus
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Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...
Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...
- Soloists, Mixed Choir and Orchestra
- Score
- Edwin F. Kalmus
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Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...
Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...
- Soloists, Mixed Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
- Soloists (SB), Mixed Choir and Orchestra
- Score
- Edwin F. Kalmus
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Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
- Soloists (SB), Mixed Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...
Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...
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- Edwin F. Kalmus
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Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...
Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...
- Orchestra
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- Edwin F. Kalmus
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This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score and Parts (Urtext)
- Arnold Schering Kurt Soldan
- Edwin F. Kalmus
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In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Friedrich Chrysander
- Edwin F. Kalmus
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In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score and Parts
- Friedrich Chrysander
- Edwin F. Kalmus
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ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...
ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...
- Mixed Choir (SATB) and Orchestra
- Score
- Edwin F. Kalmus
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ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...
ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...
- Mixed Choir (SATB) and Orchestra
- Score and Parts
- Edwin F. Kalmus
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ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...
ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...
- Mixed Choir (SATB) and Orchestra
- Score and Parts
- Edwin F. Kalmus
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ships within 2-4 weeks
Edwin F. Kalmus
The music publisher Edwin F. Kalmus offers a large repertoire of classical works for voice, choir, piano, strings, winds and ensemble. Here you will find the complete offer with over 1,800 sheet music by Edwin F. Kalmus.