Faber Music

German Dance, composed by Joseph Haydn and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

The Spiritual work Somebody's Knocking At Your Door, arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Romanze, composed by Daniel Steibelt and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Allegro (from 'Kinder-Sonate'), composed by Robert Schumann and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Waltz, composed by Carl Maria von Weber and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Kuhreigen, composed by Edvard Grieg and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Polonaise, composed by Johann Sebastian Bach and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Prelude, composed by Alexander Goedicke and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Siciliano, composed by Anton Diabelli and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

It Was A Lover And His Lass, composed by Thomas Morley and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Valse & Galop (from 'La Belle Hélène'), composed by Jacques Offenbach and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Gavotte, composed by Georg Philipp Telemann and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

L’éléphant, composed by Camille Saint-Saëns and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

March, composed by Carl Philipp Emanuel Bach and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Bourrée, composed by William Boyce and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

March (from 'The Magic Flute'), composed by Wolfgang Amadeus Mozart and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Das Wandern (from 'Die Schöne Müllerin'), composed by Franz Schubert and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Evening Prayer (from 'Hansel & Gretel'), composed by Engelbert Humperdinck and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Poco Adagio (from 'Kaiser Quartett'), composed by Joseph Haydn and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Recital Repertoire for Cellists Book 1 is a lively collection of originals and arrangements for the student who has already acquired a sound grasp of basic technique. The pieces are arranged progressi...

This set of 3 sonatas or viola da gamba (violoncello) and harpsichord by J. S. Bach has been edited by Lucy Robinson, with a study of the sources by John Butt.

For a 70th birthday tribute to the distinguished Swiss conductor Paul Sacher, Mstislav Rostropovich hit on the idea of inviting twelve of Sacher's friends to collaborate in writing a set a variations...

Andante con Variazioni by Beethoven is a theme and variations written originally for mandolin and keyboard in 1796. It is arranged here for cello and piano by cellist Steven Isserlis and is a work ful...

The first modern editions of three attractive eighteenth-century cello sonatas of moderate technical ability. Together, they offer an invaluable introduction to the literature of a period that saw a g...

Ensemble Magazine, Spring 2013