Falls House Press

Sonata Op. 34 No. 2, for flute, oboe, clarinet or 2nd oboe, & piano. This is a charming multi-movement work from the Baroque period. Very little repertoire is available for this combination (three win...

Quintet, for flute, oboe, clarinet in Bb, horn in F & bassoon. Written in a tonal and accessible style, each of the players is an equal partner in this demanding but audience pleasing work. Sorrow, ju...

William Averitt's Tunebook for Woodwind Quintet is a new take on seven melodies from The Sacred Harp, the most famous of the 19th-century source books. This work combines these melodies with contempor...

This set of miniatures represents great compositional variety, from French impressionism to German expressionism. The Exotic titles of Asian gods give the performer strong clues in creating a colorful...

This work was composed in dedication to the composer's wife, flutist Ann Marie Yasinitsky, and was inspired by a summer visit to the picturesque Meyer's Point in Olympia, Washington. Meyer's Point is...

Rondos, riffs, refrains, classical form, jazz idioms, and vocal concepts all in one modern piece? You bet. By using consistent melodic, harmonic, and rhythmic ideas while contrasting and blending thes...

Schocker's seventh Sonata features three descriptive movements (Morning, Noon, Night), and was written for flutist/educator Margaret Cornils Luke. The three movements are lyrical, dynamic, and above a...

Both stimulating and challenging in its rhythmic, melodic and expressive range, Polymorphics (1988) for double woodwind quintet, allows all instruments a chance to shine, either singly, in pairs or in...

This symphony was composed in 1764 and is in 3 movements. This arrangement is made available so that the early Mozart can be experienced by both musician & audience alike. The instrumental designation...

No more waiting for string players. Now you can play the entire Mozart Flute Quartet in D Major, K. 285 with your flute choir. Moderately difficult flute parts will keep everyone busy. 3 C, alto & bas...

This arrangement of the Finale from Serenade for String Orchestra, Op. 22, composed in 1875, features the lively combination of Czech folk melodies and dance rhythms that were Dvor? k's hallmark. It i...

This is a great ragtime addition to any library. It is a waltz, so the square rhythm of the march-based rags is rounded and smoothed by the waltz feeling, yet the characteristic syncopation permeates...

Ferdinand Ries' Quartets are solid Beethoven-like chamber pieces that equally balance interest for the flute, violin, viola and cello. This includes the COMPLETE three Ries' Quartets!

Echoes of Sarah is a remembrance of a departed friend, but also a deep exploration of the sonics and tone produced by multiple flutes. In his program notes, Raines explains, for example, Extremes of r...

The composer's exploration of the capabilities of a group of like instruments encompasses the full range of tone, texture, and tempo in a multi-faceted work. Solo passages feature individuals, while o...

More often than not, composers will take inspiration from those who have come before, whether 300 years or 30 years before. Raines unabashedly takes his cue from both Stravinsky's Pulcinella and Brian...

Interplay, completed in August of 2007, is for flute/piccolo, clarinet in A, french horn, and piano. The work is in four movements. The first movement is based on shifting regroupings of these four in...

Blank adds his own voice to the musical translation of Dickinson's poems with three diverse settings for voice, flute, and cello. He chooses A Fuzzy Fellow, Wild Nights, and I'm Nobody, matching the t...

This concerted symphony by the youngest of JS Bach's sons is representative of the transition from baroque to classical, and JC Bach's gallant lyricism and rhythmic energy are evident throughout, espe...