G. Schirmer Inc. Sheet Music

The text of Tzadik Katamar is the final verses of Psalm 92. Composer Emanuel Kirschner served as chief cantor of Munich for much of his career. His setting, written for solo cantor and organ, original...

The text of Tzadik Katamar is the final verses of Psalm 92. Composer Emanuel Kirschner served as chief cantor of Munich for much of his career. His setting, written for solo cantor and organ, original...

As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150, Praise the Lord, Praise God in His Sanctuary is in Hebrew. A clear and co...

As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150, Praise the Lord, Praise God in His Sanctuary is in Hebrew. A clear and co...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Two separate pieces under one cover - Hineih Ma Tov and Oseh Shalom - the first from Psalm 133 and the second from the book of Job and both expressing the hope and desire of a peaceful world.

Two separate pieces under one cover - Hineih Ma Tov and Oseh Shalom - the first from Psalm 133 and the second from the book of Job and both expressing the hope and desire of a peaceful world.

The cries of the damned begin this powerful 2nd movement from the Mozart Requiem. Day of wrath, day of judgment make a dramatic statement indeed to begin the music. The chorus is mostly homophonic whi...

The cries of the damned begin this powerful 2nd movement from the Mozart Requiem. Day of wrath, day of judgment make a dramatic statement indeed to begin the music. The chorus is mostly homophonic whi...

A fine work from one of the most important American composers of the twentieth century, for SATB soli, SATB chorus and organ. Edited and with notes by John Kirkpatrick.

Les Rameaux or The Palms, is an Easter anthem for Palm Sunday by Jean-Baptiste Faure and this version is for SATB Mixed Choir and Baritone Solo with Organ accompaniment, expertly arranged by Dudley Bu...

For full mixed SATB Choir and Piano or Organ accompaniment. Arranged by Peter Tchaikosky, this English version by Nathan Haskell Dole.

Scottish Melody arranged by Robert Shaw and Alice Parker. The words are the English translation of an Orthodox Hymn.

For SATB Choir and Organ, edited by Carl F. Mueller.

A delightful setting of the Psalm 67 by John Ness Beck, for SATB Choir with Organ or Piano accompaniment. The piece begins in a gentle, reverent tranquility with hushed dynamics, gradually building in...

For SATB Choir and Organ.

A sacred cantata for Soprano solo, four-part SATB Choir and organ or piano accompaniment. Words by W. Bartholomew.

This is the Schirmer edition of the Vocal Score for Verdi's Messa Di Requiem for four solo voices and full chorus.

A sacred cantata for soprano, tenor and baritone soli, chorus and orchestra, with English adaptation by Dr. Theodore Baker. This version contains all voice parts and a piano accompaniment.

A sacred Cantata, based on the 42nd Psalm, for Soprano Solo, Mixed Chorus and Piano. This is the Schirmer edition and contains the English translation only.

Felix Mendelssohn's Come, Let Us Sing Op. 46 is a setting of the 95th Psalm, and available here is the vocal score for Tenor solo, SATB Chorus and Piano reduction.

Edited and arranged by Joseph Barnby for Soprano, Tenor and Bass Soli and Full Chorus of Mixed Voices with Piano or Organ accompaniment.

A Cantata for Advent, Christmas and Epiphany, based on the Nativity story. The work was originally written for four Solo Voices, SATB Choir, Organ, Harp and Timpani; this, the Schirmer Edition of the...

One of Haydn's greatest choral masterpieces, his oratorio The Creation was composed in 1795. The work is based jointly upon the Book of Genesis, the Book of Psalms, and on John Milton's Paradise Lost.