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Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Armstrong Gibbs composed this 'Bridal March' for the wedding of his daughter, Ann to Lyndon Rust. They married on 14th February 1948 in Danbury Church in Essex. The organ in the church had been damage...

Armstrong Gibbs composed this 'Bridal March' for the wedding of his daughter, Ann to Lyndon Rust. They married on 14th February 1948 in Danbury Church in Essex. The organ in the church had been damage...

A splendid medley of songs made famous in the music halls comprising 'Put on your tat-ta little girlie', 'I'll be your sweetheart', 'Danny Boy', 'After the ball', 'She was one of the early birds', 'So...

For choir and orchestra or concert band, or choir and piano. A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with e...

The Fantasia on British Sea Songs was arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. It is a medley of British sea songs and for many years has been seen as an in...

An original light-hearted song of celebration. Although suitable for any birthday with a zero on the end, it would perhaps be most appropriate for birthdays in the range 40-100 of a person, organisati...

Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson. The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon...

Arranged by Peter Lawson, this new four part TTBB male voice choir arrangement of Parry's Jerusalem is compatible with either the Parry Orchestration: (Goodmusic GMCH006) or the Elgar Orchestration: (...

In Elgar's Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for som...

TTBB choir with accompanmiment of piano or orchestra.Conservation! is an adaptation of the 'show-stopper' from my children's opera, Nessie. Set on the banks of Scotland's Loch Ness, the opera is the s...

Ivor Novello was born David Ivor Davies, the son of David Davies and Clara Novello Davies in Cardiff in 1893. His father worked for the rent-collecting department of Cardiff City Council, while his mo...

Of all of Ivor Novello's hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We...

Wonderful 1920s song arranged for two-part male voice choir and piano by Gwyn Arch. Duration 2 1/2 minutes Only licensed for sale in Europe

The famous Lewis Bridal Song, also known as Mairi's Wedding, in an arrangement by Neil MacKay for male voice choir (TTBB) and piano accompaniment. Duration 2 1/2 minutes

A splendid new ballad by Terry Rigler, a member of the Bournemouth Male Voice Choir, reflecting on the power of music and the pleasure of singing. Duration 4 1/2 minutes

Orchestration: Clarinet solo, Strings (Violin 1, Violin 2, Viola, Cello, Bass) It was in Tauranga, New Zealand, that I bought my friend Ian Scott's CD of British clarinet concertos, listened to it, an...

Orchestration: Violin 1, Violin 2, Viola, Cello, Bass Tarte au Citron was written for a concert about food at the Banqueting House in Whitehall, London. Rossini was the chef. Handel provided the appet...

This Sonatina for Alto Saxophone and Piano joins a series of Sonatinas I have written over the years for various instruments. I first met George Hewett at the Dorset Opera Festival where I have direct...