Henle Verlag Sheet Music

In the summer of 1888, while also working on his tone poem Don Juan, Richard Strauss composed this brief Andante for his father, Franz Strauss, a member of the Munich Court Opera and one of the greate...

Henrik Wiese has created a great stir in recent years with his many Mozart editions for Henle. He adheres strictly to Mozart's autograph score, allowing only a few sporadic editorial additions and dis...

This edition completes our series of all three clarinet concertos by the Swedish composer and clarinetist Bernhard Henrik Crusell. It appeared as his first printed work in Leipzig in 1811, but was cer...

Robert Schumann in fact composed just one work for the clarinete, namely the 'Drei Fantasiestücke' op. 73 for clarinet and piano of February 1849. But the 'Drei Romanzen' op. 94 for oboe, written at t...

Busoni's father was a clarinettist who had published a clarinet method in 1883; his mother was a pianist. Thus it is no coincidence that child prodigy Ferruccio Busoni, born in 1866, composed a series...

Carl Nielsen's 'Fantasy Pieces' for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with hi...

Both of these works for two oboes and cor anglais, which Beethoven composed in the 1790s, belong to the lighter genre of serenades and divertimentos. He might have written them in response to a commis...

We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...

Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...

Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...

It would be hard to imagine today’s concert repertoire without the harpsichord concertos of Johann Sebastian Bach. It is not known whether the A-major Concerto BWV 1055, like some of the other harpsic...

It would be hard to imagine today’s concert repertoire without the harpsichord concertos of Johann Sebastian Bach. It is not known whether the A-major Concerto BWV 1055, like some of the other harpsic...

We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...

We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...

We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...

This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...

This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...

This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...

Complete edition paperback

Complete edition linen

In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertiz...

Hummels 'Potpourri' for Violoncello and Orchestra op. 95 is part of every violoncello player's core repertoire, especially in its shortened version, the 'Fantasy'. Sprinkled with quotes from operas by...

Since the 1830s, numerous composers have experimented with hybrid forms combining elements of the symphony, concerto and free fantasia. With his Second Piano Concerto, Liszt succeeded in finding an or...