Henle Verlag Sheet Music
Like its sibling works (BWV 1052–1059), Johann Sebastian Bach’s Harpsichord Concerto no. 3 (BWV 1054) was initially composed for another solo instrument. In this case, the original work is even known:...
Like its sibling works (BWV 1052–1059), Johann Sebastian Bach’s Harpsichord Concerto no. 3 (BWV 1054) was initially composed for another solo instrument. In this case, the original work is even known:...
- Harpsichord and String orchestra
- Instrumental Part: Continuo (Urtext)
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Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
- String Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
- String Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
- String Orchestra
- Instrumental Part: Viola (Urtext)
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Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
- String Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Violin 1 (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Violin 2 (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Viola (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Cello (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Double Bass (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Study Score (Urtext)
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Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
- String Orchestra
- Study Score (Urtext)
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The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
- String Orchestra
- Study Score (Urtext)
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Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...
Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...
- String Orchestra
- Study Score (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Study Score (Urtext)
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In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. - and always also provided...
In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. - and always also provided...
- Violin and Piano
- Sheet Music (Urtext)
- Klaus Schilde Ernst Schliephake
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Fingering Piano: Pascal Rogé Fingering Violin: Ernst Schliephake Fauré's 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure...
Fingering Piano: Pascal Rogé Fingering Violin: Ernst Schliephake Fauré's 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure...
- Violin and Piano
- Piano Score and Part(s) (Urtext)
- Pascal Rogé
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It is said that Saint-Saëns was inspired to write the main theme of his Havanaise by the crackling fireplace in a hotel during a tour in the fall of 1885 with the later dedicatee Rafael Diaz Albertini...
It is said that Saint-Saëns was inspired to write the main theme of his Havanaise by the crackling fireplace in a hotel during a tour in the fall of 1885 with the later dedicatee Rafael Diaz Albertini...
- Violin and Piano
- Piano Reduction (Urtext)
- Klaus Schilde
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- Urtext Edition, paperbound - New completion of the fragments: Robert D. Levin - with marked and unmarked string part - Fingering piano: Ariane Haering, fingering violin: Benjamin Schmid - This Urtex...
- Urtext Edition, paperbound - New completion of the fragments: Robert D. Levin - with marked and unmarked string part - Fingering piano: Ariane Haering, fingering violin: Benjamin Schmid - This Urtex...
- Violin and Piano
- Piano Score and Part(s) (Urtext)
- Robert D. Levin
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There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711-1776) over the past few years, especially due to his frequently played trumpet concerto. A respe...
There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711-1776) over the past few years, especially due to his frequently played trumpet concerto. A respe...
- Violin and Continuo
- Sheet Music (Urtext)
- Karl Röhrig
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When Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: 'You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano...
When Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: 'You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano...
- Violin and Piano
- Sheet Music (Urtext)
- Ernst Schliephake
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Alongside weighty chamber music works such as piano quartets and violin sonatas, Gabriel Fauré also wrote several charming miniatures for violin and piano. Among these is his Berceuse op. 16 in D majo...
Alongside weighty chamber music works such as piano quartets and violin sonatas, Gabriel Fauré also wrote several charming miniatures for violin and piano. Among these is his Berceuse op. 16 in D majo...
- Violin and Piano
- Sheet Music (Urtext)
- Frank Peter Zimmermann
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Johann Pachelbel, born in Nuremberg a generation before Bach, in 1653, is one of the most important organ composers in southern Germany after the Reformation. His compositions were already widespread...
Johann Pachelbel, born in Nuremberg a generation before Bach, in 1653, is one of the most important organ composers in southern Germany after the Reformation. His compositions were already widespread...
- 3 Violins and Continuo
- Instrumental Part: Violin 1 (Urtext)
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Johann Pachelbel, born in Nuremberg a generation before Bach, in 1653, is one of the most important organ composers in southern Germany after the Reformation. His compositions were already widespread...
Johann Pachelbel, born in Nuremberg a generation before Bach, in 1653, is one of the most important organ composers in southern Germany after the Reformation. His compositions were already widespread...
- 3 Violins and Continuo
- Instrumental Part: Violin 2 (Urtext)
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Johann Pachelbel, born in Nuremberg a generation before Bach, in 1653, is one of the most important organ composers in southern Germany after the Reformation. His compositions were already widespread...
Johann Pachelbel, born in Nuremberg a generation before Bach, in 1653, is one of the most important organ composers in southern Germany after the Reformation. His compositions were already widespread...
- 3 Violins and Continuo
- Instrumental Part: Violin 3 (Urtext)
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Henle Verlag
The Henle Verlag offers a large repertoire of piano sheet music and sheet music for violin in the original text from the areas of baroque, classical and romantic. Here you can find the complete offer with over 1.590 sheet music of Henle Verlag.