Hinshaw Music

A light, playful love song that has a magical quality that stays with singers and audience alike (2-part). Also available in: SATB (HMC997), SAB (HMC1047), and TBB (HMC1853)

One of two Emily Dickenson poems arranged for secondary chorus. The other is: The Moon Was But A Chin Of Gold (HMC1779)

One of two Emily Dickinson poems arranged for secondary chorus. The other is The Bee (HMC1778)

A simple, yet effective piece for Christmas-looking-forward-to-Easter (or possibly Easter-looking-back-at-Christmas), it is Mary ondering these things in her heart'.

Are you looking for a solid general anthem for 2-part mixed voices? This is it-from Lutheran pastor J. Bert Carlson!

Looking for an accessible 2-part mixed advent anthem? Carl Nygard provides this flowing work that could be used anytime throughout Epiphany.

Another fine arrangement from the pen of Michael Braz, this lovely Korean folk song works well with any combination of two voices.

This lovely simple treble work adapted from Luke 1 was written when Constance Hill was 13. It captures the wonder and the love of that special time.

The first collaboration by composers Valerie Showers Crescenz and James E. Green, this dynamic duo gives us a fine secular work for treble voices, very accessible.

Catchy, medium to easy piece for two equal voices (adults and/or children), keyboard, and optional handbellsFrom the Accent On Youth Series

Easy Easter piece for two part treble voices with piano and flute, suitable for youth or adult choirs

This is a rather comical work arranged for treble voices by Henry Hinnant

Valerie Showers Crescenz takes her compassion for the lost children of Romania and turns out this gripping lyrical work, works for treble voices of all ages.

Tom Shelton provides us with this multicultural inspirational secular work for treble voices and piano. The English/Spanish combination works for graduation or an emphasis on world peace.

For unison voices, try this lovely setting with piano and violin (or flute) during Lent. It would even work with treble adult and children's voices together.

For unison or 2-part treble voices, this lilting selection with limited range would be perfect for a school choir, a church's women's chorus, or for children's choir, suitable for Epiphany or Christma...

Written for treble voices (particularly successful with women's choir or children's choir) with keyboard and violin (or flute), this piece will be a winner at Thanksgiving, it also works for general u...

From the Accent On Youth series. This is a bright, fun piece for high school or adult choir. Suitable for secular or sacred settings: it is not liturgical, but the message is a good one.

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

From the Accent On Youth Series. A melodic arrangement of Psalm 7 for 2-part chorus with piano and/or organ

Written for two-part treble voices, this setting of words by Lord Byron would work successfully for treble voices of all ages. Tom Shelton, a successful middle school teacher, understands quite well t...

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

Combining a number of medieval texts in both English and Latin, this work for treble voices is accompanied by piano or organ in a style true to the spirit of the texts.

Valerie Crescenz wrote this meaningful new work in response to the 9/11 tragedy