Hinshaw Music

An all time favorite, this piece can be done by quite small children or by adults. Everyone loves it! It may be done unison or as a two-part canon, or with the canon done on any C instrument, or even...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

The team of Green and Crescenz gives us another thought-provoking work. Scored for two-part treble voices, the text and complementary music affirm, 'We can help them find the ways to make the world a...

Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...

This is such a clever piece for treble voices. Set to a traditional French tune, Valerie Crescenz creates a witty and comical work great for a spring concert.

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs). Don't miss out on: When We...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

Set for two-part treble chorus with keyboard or instrumental ensemble, the Mazzoni Credo is a lively setting of the Nicene Creed. The four short movements are easily sung by young or more mature voice...

For two-part treble chorus with piano and optional flute, this is an easy piece set to a lovely Christina Rossetti text, easily adaptable for many settings.

Maribeth Yoder-White's series (Accent On Young Voices) brings us another work with practical performing suggestions included. We welcome Earlene Rentz to the Hinshaw catalogue.

A Christmas lullaby foretelling what is to come for the Christ child. In the lovely words of Gary Vitale, 'His head is weary, His eyes are tearing, and I can see a sadness coming: let my baby rest...k...

An easy two-part piece for children, with keyboard accompaniment that is secular, but contains a message that makes it appropriate for a church setting. From the Accent On Youth Series

For those of you who are middle school teachers this setting of the traditional American folksong is for you. Valerie gives us a three-part mixed voicing accompanied by piano. Try it during American m...

There are a number of possibilities for this unison piece. Try it on Christmas Eve or Epiphany with children or adults and piano.

Try this lovely old English carol with children and/or adult trebles on Christmas Eve or anytime up through Epiphany.

Looking for a rockin' spiritual for treble voices? This African folk hymn is set for 3-part voices with piano. Try it in worship or concert settings.

This is the latest in the highly successful 'accent on young voices' series edited by Maribeth Yoder-White. Again, highlighting the interest in global music found in music education these days, this B...

The fact that music brings the world closer together is highlighted in this new work for 2-part treble chorus with piano, violin, and cello. Based in part on the Chinese phrase 'four oceans bridge one...

Bright, stirring advent piece for 3-part mixed choir with keyboard using the familiar text by Philipp Nicolai, and interspersing the well-loved Wachet Auf melody with original music by John Horman.

In recent years there has been a resurgence of interest in the use of baroque literature with young voices. This splendid arrangement edited by Maribeth Yoder-White (Accent On Young Voices) could be u...

An easy and versatile piece for Epiphany written in unison, good for youth or female voices, with organ accompaniment

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.

This piece is included in the series Accent On Young Voices edited by Maribeth Yoder-White. Scored for three-part voices in any combination, there are many possibilities for the performance of this pi...

Valerie Showers Crescenz is not a new name to the Hinshaw catalogue. This secular work is set to a lovely text by poet Lauren Gallagher and is scored for unison treble chorus with optional harmony and...