Kendor Music

Finally piccolo players of the world can play this famous march excerpt without needing an entire concert band in tow! Perfect as a recital encore or contest showcase, Halferty's solo-with-piano editi...

Piccolo players and flutists alike will love this edition of the Prelude from Carmen by Bizet. Perfect for encores, this all-time classic is sure to delight audiences while being a joy for performers....

This set of short classics by Bach, Handel, Mozart, Fischer, Telemann and Gluck presents a nice variety of styles, tempos, meters and moods. Abundant articulations, dynamics and breath marks are provi...

This set of short classics by Bach, Handel, Mozart, Fischer, Telemann and Gluck presents a nice variety of styles, tempos, meters and moods. Abundant articulations, dynamics and breath marks are provi...

Featuring an array of 30 classics and originals for grade 2-3 players, the music in these collections has been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments....

This setting of the familiar Welch air features independent lines and melodic material for all. Three changes in key signature (from D to F to G major) and a dramatic augmentation of the melody in the...

Six relatively short pieces written for Saxophone Trio.

First published in 1973, this well-established contest original featuring dramatic writing and striking contrasts involves all players equally in the thematic development. The tempo of the opening Mod...

In this moderate swing original, an abundance of ensemble writing is tastefully seasoned with occasional solo and duet passages involving all members. The guaranteed highlight is the miniature shout c...

Scored in a variety of meters -- 5/8, 5/4, 3/8, 4/4, 3/4 -- and set at a lively tempo (8th note = ca. 200), this contemporary, recital-worthy original requires careful observance of all articulations...

Scored in a variety of meters -- 5/8, 5/4, 3/8, 4/4, 3/4 -- and set at a lively tempo (8th note = ca. 200), this contemporary, recital-worthy original requires careful observance of all articulations...

The brilliant Finale of Doug Walter's Saxophone Quartet #1. Scored for SATB saxophones.

Popularized by countless jazz artists including Louis Armstrong, Ella Fitzgerald and Harry Connick Jr., this setting of the familiar tune features two key changes, lots of tutti writing to build confi...

The Black Swamp is adapted from the first movement of Homeland Suite for Wind Ensemble, which won the Dallas Wind Symphony's composition contest in 2003 as a brass ensemble version. This composition i...

A moderately difficult composition for AATB Saxophone Quartet.

Capable quartets will love this impressive arrangement of the great Duke Ellington classic. The easy swinging adaptation offers each player a turn at the melody and features a written soprano (or alto...

Four Irish classics make up this medley for saxophone quartet. A lively 9/8 fiddle tune, Barney Bralligan, sets the opening pace, followed by the familiar Hush Little Baby and the plaintiff air The Mi...

Four Irish classics make up this medley for saxophone quartet. A lively 9/8 fiddle tune, Barney Bralligan, sets the opening pace, followed by the familiar Hush Little Baby and the plaintiff air The Mi...

This straight-ahead swing/bebop arrangement of a great Ellington classic by Miami writer Mike Lewis features solid ensemble writing and does not require any improvisation.

Featuring three great favorites from the Emerald Isle, the gentle midsection in 3/4 contrasts beautifully with the energetic opening and closing themes in 6/8.