Kendor Music

This 16th Century dance in 2/4 time, called a Bransle, has been arranged for woodwind quintet by Harry Gee. The grade 1 setting has substitute parts to provide greater flexibility; 2nd Bb clarinet for...

This famous parody of a Polish polka with abundant 'wrong' notes (dissonances), wide melodic leaps, and sudden dynamic changes is a sterling example of contemporary music with high educational and ent...

This famous parody of a Polish polka with abundant 'wrong' notes (dissonances), wide melodic leaps, and sudden dynamic changes is a sterling example of contemporary music with high educational and ent...

This short, lyrical original in 3/4 time and AABA form features a brief rubato solo for bassoon before the final section. Duration 1:05

This treatment of the classic folk melody is a sure winner for woodwind quintets. With its rich harmonies, contrasting tonal colors, and flowing legato lines, this arrangement provides a wealth of mat...

Perfect for contest or recital presentations, this arrangement of Franz Joseph Haydn's great classic presents two exciting movements: I. Allegro Moderato and IV. Finale. All melodic ornaments are clea...

Written in 1788, this symphony is familiar to most people as it has been featured often in television and movie soundtracks. This beautiful arrangement of the third movement is an important addition t...

Often referred to as the 'Great G Minor Symphony' (it's one of just two Mozart symphonies written in a minor key), the 4th movement features a brisk tempo in cut time. The developmental section includ...

Popularized in Disney's 1940 animated classic Fantasia, this programmatic masterpiece written by Paul Dukas in 1896 builds gradually to an intense finish.

This lighthearted original gives players outside normal jazz circles a chance to swing with the best of them. As is true of all of Lennie's ensemble materials, the parts in these quintets are an inter...

Whether it's programmed as an encore, performed for contest or featured in a summer concert, this great Sousa favorite is sure to be a hit and a core part of any quintet's repertoire. Duration 3:30.

Whether it's programmed as an encore, performed for contest or featured in a summer concert, this great Sousa favorite is sure to be a hit and a core part of any quintet's repertoire. Duration 3:30.

A lyrical section provides important stylistic contrast in this otherwise brisk, lively piece for grade 3 ensembles. All players share the lead material, and the multicultural appeal will make it very...

While living in Paris in 1933, Sergei Prokofiev wrote the score for Lt. Kije, a film that was never made. A year later he crafted an orchestral suite from the same material, and it is from that second...

Expertly orchestrated for standard woodwind quintet by veteran writer Kevin Kaisershot, this collection includes all the most popular music for weddings.

Expertly orchestrated for standard woodwind quintet by veteran writer Kevin Kaisershot, this collection includes all the most popular music for weddings.

Conjure scenes of ships at sea with this lively solo by Larry Clark, featuring a minor melody that students will love! Provides an opportunity for young musicians to explore a ¾ time signature, and ho...

Inspired by nature, this original solo by Tyler Arcari offers students a thoughtful look at the ¾ time signature. Though the tempo stays fairly consistent throughout, a powerful middle section present...

Introduce students to the well-known tone poem by Camille Saint-Saëns in a fun and accessible way with this arrangement by Tyler Arcari. At a tempo of 166+, this Waltz is a wonderful exercise in artic...

This heartfelt solo by Larry Clark is both a beautiful piece of performance music, and a highly effective teaching tool. Students can polish and showcase a beautiful tone in the middle-upper register...

Larry Clark presents a tuneful arrangement of Tchaikovsky's Italian Song from Op. 30 No. 15. This charming, classic melody offers students a number of learning opportunities pertaining to musical nuan...

Based on a melody by James Stoltie, this slow, lyrical work includes an extended cadenza that can be played as written or freely improvised.

In this regal processional for young soloists, the crisp articulations of the main theme and the expressive lines of two short interludes gives this piece great overall appeal.

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.