Lauren Keiser Music Publishing

Stankovych, Yehven, not averse to expressing dramatic, riskier emotions in his music, composed the HOLODOMOR REQUIEM (UKRAINIAN REQUIEM) in 1992. This powerful composition for narrator, bass and mezzo...

Memory Believes (a requiem) is a seven-movement work for chamber choir and string quartet dedicated to the memory of the composer's brother, Jonathan Adolphe (1952-2022). Four Meditation movements, ea...

Memory Believes (A Requiem) is a seven-movement work for chamber choir and string quartet dedicated to the memory of the composer's brother, Jonathan Adolphe (1952-2022). Four Meditation movements, ea...

Aeternum - The Chamber Requiem is a uniquely intimate and accessible mass ideally suited to small memorial services as well chamber music performances. Its poignance, drama, and uplifting nature bring...

This Magnificat sets the passage from the Gospel of Luke, where Mary responds to the Angel Gabriel's announcement that she is to become pregnant with Jesus. Persistent rhythmic motives function as mus...

Stankovych, Yehven, not averse to expressing dramatic, riskier emotions in his music, composed the HOLODOMOR REQUIEM (UKRAINIAN REQUIEM) in 1992. This powerful composition for narrator, bass and mezzo...

This adaptation of Porpora's Magnificat for SSAA Women's Chorus, Organ, and String Orchestra was arranged by Ralph Hunter. The finale movement, Sicut Erat, is available as a stand alone retail item av...

From Niccola Porpora's Magnificat, Sicut Erat is the sixth and final movement of this Baroque masterwork. This edition for organ and string orchestra has been skillfully edited and arranged by Ralph H...

From Niccola Porpora's Magnificat, Sicut Erat is the sixth and final movement of this Baroque masterwork. This edition for organ and string orchestra has been skillfully edited and arranged by Ralph H...

Gerber's sense of humor is showcased in this cross between show music and French Impressionism, manifesting as a salon ditty searching for its lounge lizard vocalist.

This three-movement suite was written for Tachell Gerbert and Bradley Gregory. The work is based fragmentally on the tune from the popular song written in 1914 by Harry Carrell and Henry Attenridge, w...

This three-movement work was written for the piano duet team of Anna Polonsky and Orion Weiss. The work has a rather 'symphonic' character with contrasting sonorities spanning the entire range of the...

Igor Shcherbakov was among the first of a generation of Soviet-Era composers who began to challenge totalitarian censorship in the latter 20th century and his original voice continues to captivate aud...

The original Capriccio was commissioned in 2005 by the University of Southern California as a short piano concerto. Capriccio II is a response to, a re-thinking of, the original Capriccio, now for two...

Inspired by the poem The Red Leaves of Night by contemporary poet David St. John, this piano sonata was commissioned by Phillip Bush with support from the Ingeborg Reimer Fund for Creative Projects of...

CHACONNE is in honor of Donald Crockett's longtime friend and colleague at USC, Rick Lesemann, and his wife, pianist Susan Svrcek. This chaconne - a repeated chord progression - generally descends in...

Celestial Meditations (2000) for organ and brass choir was written for and is dedicated to William Berg, Michael Stewart, and the Chicago Brass Choir, commissioned with a gift from Mr. and Mrs. Howard...

Celestial Meditations (2000, rev. 2005) for organ and brass choir was originally written for and is dedicated to William Berg, Michael Stewart, and the Chicago Brass Choir, commissioned with a gift fr...

Originally written for alto saxophone and string orchestra. Movements: 1. A Backward Glance, 2. St. Hans Fire, 3. A Midsummer's Night Fairy Tale, 4. Stella's Dance, 5. Evensong. Versions for viola and...

Gong's Viola Concerto was premiered by the Shanghai Philharmonic with fellow Juilliard graduate Liyuan Liu on viola. The work is based on J.D. Salinger's 'Catcher in the Rye', as part of a program add...

Written in memory of Roger Tapping, violist of the Juilliard String Quartet and dear friend to the composer.

This work for viola and piano was composed in memory of Sarah Gibson, the composer, pianist and educator who passed away in 2024 at the age of 38. From the program note by Donald Crockett: This ELEGY...

Commissioned by the Music Institute of Chicago for an entire evening of works by Laura Schwendinger.