Ludwig Music Publishing Company

American Frontier for string orchestra was written by Joshua Reznicow utilizing various ensemble configurations from within the string orchestra. Solo lines, quartet, quintet, and sectional soli all h...

On the inspiration for Midnight (A Slow Mambo), Steven Rosenhaus, the composer writes: "Growing up in New York City, as with any major city, presents a wide variety of opportunities to experience aspe...

The Lambert Concerto is an original work by Brian Krinke, perfect for young violin students ready to tackle their first concerto. It was written for one of Krinke's talented violin students whose fath...

First edition of this 1995 work for brass.

First edition of this 1995 work for brass.

Having studied composition at the Royal College of Music, composer and arranger Chris Hazell has worked with such artists as Kiri te Kanawa, Angela Gheorgiu, and Joan Sutherland. Composed in 2001, Int...

French composer and organist Charles-Marie Widor (1844-1937) composed this powerful work for Brass, Organ, and Timpani in 1916 as his Opus 84. Titled SALVUM FAC POPULUM TUUM, which is alternately know...

This FANFARE FOR THE KENNEDY CENTER is for brass ensemble and percussion. The work includes both metered and unmetered sections, requiring great attention to ensemble playing. Instrumentation: 4 Tpts,...

For Organ, Brass and Percussion

This fun work, written for brass choir, organ, and percussion, strips away what people come to expect of an organ and ensemble work.

This trio with unusual instrumentation (2 Horns and Trombone/Euphonium) gives opportunity for less advanced players to experience this beautiful song in three different variations. Also includes Trump...

Grand March is an original composition which may be used for contest, concert, or for some dignified occasion for a processional. Technical demands and ranges of all instruments are minimal. The key i...

This is the short story of activities that take place in a rural setting on a summer Sunday afternoon. Families attend a morning worship service and then share in social and recreational activity at a...

Scored for oboes, clarinets, horns, and bassoons, this respectful and faithful rendering is a terrific change of pace from typical wind ensemble fare. An excellent recording of this publication is ava...

This suite of five miniature piano pieces expresses the composer's hard, brittle, percussive sound and his lyricism and beauty. Demonstrating Prokofiev's harmonic experimentation, they make extensive...

Charles Villiers Stanford (1852-1924) was an Anglo-Irish composer, teacher and conductor during the late Romantic era. He was one of the founding professors of the Royal College of Music where he taug...

Though alternately titled "Premier Nocturne" this work for solo piano in D major is actually Georges Bizet's 2nd NOCTURNE, the first having been written more than a decade earlier, and in the key of F...

A show style arrangement of the Christmas classic for either vocal or flugelhorn solo with band provides a great vehicle to feature a student or guest artist with your group. Jazz styling and harmonie...

A collection 13 accessible piano works by Smetana, compiled and edited by pianist and educator Vaclav Stepan.

Stephen Foster's beautiful melody makes a perfect vehicle to feature the lyrical side of a student or guest euphonium or trombone soloist, or as an encore.

A beautiful ballad in its own right, this arrangement is given more flexibility with an optional vocal part. Whether or not the vocalist is used, the ranges are conservative, the countermelodies and h...

A beautiful ballad in its own right, this arrangement is given more flexibility with an optional vocal part. Whether or not the vocalist is used, the ranges are conservative, the countermelodies and h...

Written by distiguished French flautist Philippe Gaubert, and dedicated to his instructor, Paul Taffanel.

Philippe Gaubert's Pièce Romantique is a beautifully sustained lyrical outpouring. It evolves from two themes: the cello's broad, exploratory opening melody is contrasted, about halfway through the pi...

Max Bruch was 72 in 1910 when he composed Acht Stücke (Eight Pieces), Op. 83 for his son, Max Felix, already a professional clarinetist. The Eight Pieces shine with Bruch's lyricism and each has its p...