Novello Publishing

O Salutaris Hostia is a work by Meirion Wynn Jones for Unison Voices and Organ Accompaniment. The work sets text by Thomas Aquinas, translated by Edward Caswall.

O Trinity! O Unity! is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment, setting text from Ave Colenda Trinitas, translated by J. D. Chambers.

Tantum Ergo is a work by Franz Liszt for Upper Voices and Organ Accompaniment that sets text by Thomas Aquinas, translated by Edward Caswall, and lasts around 3 minutes.

Tantum Ergo is a work by David Terry for Unison Voices and Organ Accompaniment (with optional Descant). The work sets text by Thomas Aquinas, and was composed for Lee Ward and the London Oratory Schoo...

There Is A River is a work by Stephen Burtonwood for Upper Voices and Piano Accompaniment. The work sets text from Psalm 46, verses 1-5.

Paul Mealor's If Ye Love Me , for upper Voices and Organ. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary...

A carol text made famous by Elizabeth Poston, here set for upper voices and piano accompaniment.

Anthem for Treble Voices and Piano or Organ accompaniment written for the choir of The Elms School, Colwell. Text: J. J. Schutz.

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for large mixed chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers...

For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment, edited by Desmond Ratcliffe.

This Collection of Chorales harmonized by Bach contains, it is believed, all those that he arranged for four voices, excluding, of course, the elaborate settings for Chorus and Orchestra. There are al...

A selection of nine works by Tomkins, including his seven Penitential Psalms, which comprise a fine and coherent set. Edited by Ivan Moody, this is part of a series of short volumes, each devoted to a...

One of the most famous settings of the Mass by Lassus. Edited by Ivan Moody, this is part of a series of short volumes, each devoted to a single composer or appropriate group of composers, thoroughly...

This is part of a series of short volumes, each devoted to a single composer or appropriate group of composers, thoroughly exploring the unlimited resources of Renaissance sacred polyphony.

Missa Gaudeamus is a parody on the motet Jubilate Deo by Cristobal de Morales, which dates from 1538 and celebrates the peace treaty signed between Francis I and Charles V. This edition, for SSAATB vo...

All the motets in this volume are quite early works, taken from the collection 'Sacrae Cantiones Quinque Vocum', published in 1562 at Nuremburg. The typical features of these works are their virtuoso...

The setting of a text from Psalm 8, composed for the four hundredth anniversary of the Royal Warrant for the Worshipful Company Of Butchers. Written lfor SATB chorus with full Organ accompaniment.

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of se...

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of se...

Edited by Barry Rose. An excellent compilation of twenty-four anthems for Mixed Voice Choirs featuring texts taken from the Psalms, featuring new works and performing editions published for the first...

Commissioned by Diana Woolley for first performance by Gloucester Cathedral Choir, conducted by Adrian Partington, Director of Music. Texts from the Psalms of David.

For double SATB and Piano/Organ.

Handel's original STB Chorus part for 'Chandos' Anthem No. 2, In The Lord Put I My Trust HWV 247.

A perfect bouquet of sweet flowers of melody and a masterpiece of simplicity' as described by Heine in a letter to Berlioz. This sacred trilogy was written in 1854 for soprano, baritone, two tenors an...