Oxford University Press Sheet Music

A movement from In Windsor Forest, setting Shakespeare's text from Much Ado About Nothing, Act II, Scene 3.

Composed during the year between Lance Armstrong's fifth and sixth victories in the Tour de France, Yellow Jersey is a short wind sprint for two clarinets. The form of the piece follows how the sprint...

This work is made up of two contrasting treatments of the same underlying melody. The first is entitled Grizzly Bear Jam because of its ferocity, playfulness and rhythmic instability. Song to End Mour...

For two clarinets. Composed during the year between Lance Armstrong's fifth and sixth victories in the Tour de France, Yellow Jersey is a short wind sprint for two clarinets. The form of the piece fol...

Field Notes is a compact, one-movement chamber work for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally between the parts.

30 fun duets in a variety of styles, including arrangements of classical and folk music, and original pieces from Kathy and David Blackwell Duets progress in difficulty throughout the book, from esta...

Written at the request of the Lawson Trio, this gracefully structured work contrasts atmospheric lyrical writing with bursts of turbulent fast music, including a rather rough and wild scherzo. The thr...

The piece is a fairly athletic work in three movements. The first and third are very rhythmic, fast, and hauntingly jazz-like in a Miles Davis kind of way. The second movement is quite placid, free fl...

Setting a newly written text by Charles Bennett, Five days that changed the world takes singers on a journey through five historical events: the invention of printing, the abolition of slavery, the fi...

This anthem sets the Oculi omnium gradual to still, reflective music. Including sections of plainchant alongside richer textures and close harmonics, it is a beautiful piece that will appeal to a rang...

For clarinet in C/violin, cello and piano. As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained n...

For violin, cello, and piano. This work is made up of three interlinked movements, played without a break, and includes references to two traditional Adirondack songs.

For violin, cello and pianoInspired by the sounds of ancient Chinese instruments Zhou Long has recreated an anicient ritual ensemble using a modern chamber configuration. This uniquely beautiful sound...

For violin, cello, and piano. The piece is a fairly athletic work in three movements. The first and third are very rhythmic, fast, and hauntingly jazz-like in a Miles Davis kind of way. The second mov...

Adapted from the Gospels of St Matthew and St Mark, Hosanna to the Son of David is a jubilant anthem with a lively, independent piano part. Adams employs dynamics as a word-painting tool, with a jubil...

La gora di mulino was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musical style. La gor...

In the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the characteristic of this piece - fast, loud,...

Newly edited edition, off-printed from the Walton Edition vol. 19 'Chamber Music'Performing edition of Walton's Piano Quartet, first published in 1918 and one of his first compositions to have survive...

2 violins, opt. viola, cello, opt. double bass, piano - Flexible scoring with optional viola and double bass parts, and optional divisi cellos - Movements that can be performed individually or togeth...

Nightsongs is a hauntingly atmospheric response to the famous and magically beautiful gardens at Ninfa, created a century or so ago around the remains of an ancient settlement southeast of Rome.

The Piano Quartet No.1 was written in 1992 and is in one movement. The composer writes: While writing it I was reminded of painting where blocks of colour meet or where objects intersect, of the myste...

For piano quartet. This piece, the second written for the Schubert Ensemble, is constructed from a sequence of episodes which gradually expose a central monody. As the title suggests, the music has a...

For violin, cello, contrabass, and pianoIn the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the ch...