Oxford University Press Sheet Music

For oboe and harp. In Second Still Life the play on the word second is very apt. Not only is it scored for just two instruments (although there is also an optional tam-tam part) but the interval of a...

A capricious, lyrical, and nostalgic work, it is often considered to be Vaughan Williams's most successful work in this form. The first movement is pastoral in feeling. The second movement begins with...

For oboe and piano

For 14 solo voices (4 sopranos, 3 contraltos, 4 tenors, 3 basses, hand percussion (played by the male singers), and piano. Finnegan's Floras is inspired by James Joyce's Finnegans Wake. Material is av...

For saxophone quartet. This work is based on the traditional modes/scales of Armenia. 'Duduk' is the name of the Armenian oboe that is normally accompanied by drones. Erkoreka cleverly creates the ill...

For E flat saxophone and piano. 14 of Gershwin's classic songs arranged for saxophonists of about grades 1 to 5.

Sarah Quartel's Veni Sancte Spiritus is a tranquil setting of passages from a 13th-century sacred Latin text and its English translation. The voices are underpinned by a supportive accompaniment that...

The music is composed to create layers of tonality which overlap in space, especially in a vast space with a long acoustic decay.

Spectrum for Trumpet is a unique collection of contemporary works for trumpet and piano. The 16 pieces included have been specially commissioned from some of today's leading composers and reflect curr...

This excellent addition to the tuba repertoire allows this oft-neglected instrument to demonstrate its more versatile side. Concert Piece explores a 3-octave range, allowing the tuba to combine fast-p...

Contains sheet music for two pieces in both treble and bass clef. Piano accompaniment included.

On Christmas Night is a sequence of eight carols with a variety of performance options. Chilcott uses several familiar carol melodies within his own settings, which employ a wide range of styles and m...

An arrangement of Scenes 5 and 12 from a projected stage-work on the life of Tchaikovsky. They are identical in structure and draw on the set of Russian folk songs that Tchaikovsky arranged for piano-...

This hauntingly beautiful piece is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases, double stopping in thirds and sixths, and a quasi-improvised sectio...

This enchanting setting brings a fresh take on a familiar fifteenth-century text. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody through each of the voice part...

Victoria opens this motet with a dramatic homophonic account of Judas's betrayal of Jesus, similar to the opening of another of his responsory settings, Jesum tradidit impius, before a contrasting sec...

The composer writes: The structure is a short set of double variations, the two themes following a short introduction. One is flamboyant and rhetorical, the other gentle and lyrical. The first develop...

This equisite Fantasia on the timeless English folk song 'Greensleeves' was arranged for violin and piano by Michael Mullinar based on music from Vaughan Williams's opera Sir John in Love.

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that tell how the power of song can overcome dark times. The composer brings this powerful text...

This publication of Finnissy's Violin Sonata coincided with the release of the 'mode, New York' record label's Finnissy CD in December 2008, performed by renowned ensemble The Fidelio Trio. The work e...

Newly edited edition, off-printed from the Walton Edition vol. 19 'Chamber Music'The Two pieces for violin and piano, 'Canzonetta' and 'Scherzetto', were written in the late 1940s. The melody of the f...