Oxford University Press Sheet Music

This anthem commemorates the First World War. It sets a stark English text by Dr Joseph Spence which conveys the relentless hardship of life in the Trenches, alongside Latin words from Psalm 130, prov...

This piece sets the first six verses of Psalm 105 in a song of praise packed with energy and fervour. A spirited organ part is present throughout, with spritely triplet figurations set against long, m...

This spirited setting of Psalm 150 is steeped in the English choral tradition. It features contrapuntal writing, engaging interplay between choir and organ, effective word painting, and virtuosic orga...

With a text by the composer, this declamatory Christmas piece provides a fresh take on the nativity story. The cacophony of choral sound in the polyphonic middle section is akin perhaps to the angelic...

Written for the Choir of The Cathedral of St John, Albuquerque, Ash Wednesday sets typically fervent verses by Christina Rossetti. The vocal lines are mostly simple and affecting, with some highly ind...

This short piece sets a heartening text by David Warner, long-time collaborator with Wilberg. The simple melody and homophonic choral harmonies are accompanied by warm, flowing quavers in 12/8, played...

This is a flexible hymn for general worship, with an original hymn tune ('Charleston') by Howard Helvey. Either Francis Scott Key's 'Lord, with glowing heart I'd praise thee' or Charles Wesley's 'Love...

No. 3 of Five Hymns in Popular Style. Orchestral material is available on hire. An SSA version is also available.

No. 5 of Five Hymns in Popular Style. Orchestral material is available on hire.

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The congregational part, which may be photocopied, is available at the back of the...

This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds fr...

for SATB and four-piece ensemble (flute, oboe, harp, organ). John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

for SATB and three-piece ensemble (oboe, harp, organ). Three-piece chamber ensemble accompaniment to Rutter's arrangement of Psalm 23. Pack includes full score and set of parts.

Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary, this impressive and stately setting of verses from Psalm 90 culminates in a jubilant, maestoso final sectio...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This charming piece has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stirring unison 'amen'. Benediction is ide...

Featuring beautifully arching phrases, an optional soprano solo, and exultant yet tender climaxes, this anthem will be an instant hit with all types of choirs. The text by Selwyn Image based on I Cori...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

The King shall rejoice was commissioned by Westminster Cathedral to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott e...