Oxford University Press Sheet Music

John Sheppard's Verbum caro factum est is perhaps the most magnificent of his Responds, as befits its Christmas context. The music alternates between polyphony and plainchant, and the text is one that...

Larsen's song cycle is based on the novel by the American writer, Willa Cather, and the songs recount Jim Burden's memories of Antonia Shimerda during their shared experiences of the pioneering period...

Soprano and piano. The soprano protagonist looks back, either in her imagination or in real terms, on a life richly lived. The texts, five by Pulitzer-Prize winning poet Lisel Mueller and one by Judit...

For countertenor & guitar. These two motets were written at the request of the Park Lane Group. They are both settings of contemplative, religious (but non-liturgical) texts and both are cast in a rep...

For high voice and piano. These two short songs are set to texts by A E Housman and Edward Thomas.

These three songs for soprano or tenor were sketched when the composer was a student at the Royal Academy of Music in the late 1960s, and subsequently revised. The texts are by W. B. Yeats, Wilfred Ow...

For solo soprano and piano. In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich har...

Words by Shakespeare set for soprano and piano Range e flat'-g'

This is the first publication of three of Walton's early songs (1918) for high voice and piano. Lyrical and charming, the songs are firmly in the English pastoral vein. The set is completed with 'The...

This is the first publication of three of Walton's early songs (1918) for high voice and piano. Lyrical and charming, the songs are firmly in the English pastoral vein. The set is completed with 'The...

Eleven songs for tenor and piano

The texts are selected from the letters of Calamity Jane to her daughter by Wild Bill Hickok. The five songs present a stirring picture of an independent woman's struggle.

For soprano and piano. Based on poetry by Elizabeth Barrett Browning, Sonnets from the Portugese explores the finding of a mature love by a woman who wonders what part of her must she sacrifice to the...

Six sacred songs on texts by women poets, suitable for use separately in services, or as a complete cycle in recitals.

A song cycle for soprano and piano drawn from Brenda Ueland's 1938 autobiography.

for soprano and piano Try me, good King is a group of five songs drawn from the final letters and gallows speeches of the six wives of King Henry VIII. The cycle is a psychologically intense monodrama...

Parry relishes in warm harmonies, with occasional chromatic inflections, in his calm but captivating setting of the anonymous fifteenth-century text There is no rose. Offprinted from Carols for Choirs...

For soprano and baritone. The first two of these four songs are for solo baritone. The third song, 'Pan', is written for both soloists, with the melody passing back and forth between the singers. Xeno...

A powerful, evocative, and very beautiful cantata based on texts by Emily Dickinson.

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...

Instrumentation for Down by the riverside: 4 trumpets, 3 trombones, tuba, drum kit (trap set), piano, harp (optional), and strings. This set contains the following string parts: 4x vln I, 4x vln II, 3...

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...

Full score for John Rutter's lively arrangement of this barnstorming American folk-song.

This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...