Oxford University Press Sheet Music

for SATB with divisions, unaccompanied This is a sensitive and uplifting setting of a text by Geraldine Atkinson, who tragically died aged 24. The reflective nature of the music makes it particularly...

for SATB (with divisions) unaccompanied Jackson effectively intersperses sonorous polyphonic passages for full choir with spoken text and murmuring ostinato motifs in free time.

SATB unaccompanied This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting, beautifully crafted, and perfec...

for SATB (divisi) with 2 soprano solos This engagingly written piece sets the Lamentations of Jeremiah. The overlapping passages of music passed between the soloists and the choir create a dramatic ef...

for SATB unaccompanied A setting of the Mass in Latin, written for the Truro Cathedral Choir.

Chilcott's Into God's Call is a tender setting of an Elizabeth Jennings poem. Melodically simple and rewarding, this piece is a straightforward introduction into double choir repertoire.

This setting was commissioned by the BBC Singers and premiered in April 2012. The text recounts the destruction of the ancient city of Jerusalem by King Nebuchadnezzar in 586 BC.

These Amens were written to fill a liturgical and musical gap in services where the prevailing style of the music is romantic. This is the first publication of the Amens in F and A, and the musical st...

Setting a text spoken by Nurse Edith Cavell on the eve of her execution in 1915 and re-fashioned by the poet Sean Street, McDowall has created a work of haunting beauty. It is equally suitable for fun...

Thou, my love, art fair' was written for The King's Singers and first performed by the group on St Valentine's Day 2015. Setting the William Baldwin poem, Christ to his spouse, this delightful song ma...

Setting a well-known poem by Percy Shelley, Love's Philosophy is a sweet and tender choral song reflecting on the idea of love with reference to nature and the interdependent relationships evident in...

For SSAATB unaccompanied.

for SATB double choir unaccompanied Inspired by A. E. Borthwick's painting of the same title, The Presence sets lines from Psalms 18, 27, 36, 112, and 119 mainly concerned with light. While suitable f...

This simple, well-crafted motet is bright, optimistic, and compelling. Skempton employs artful homophony and sensitive word-setting, and the repetitions of the opening refrain build towards an effecti...

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

This piece sets a joyful text celebrating the beauty found all around us. Characterized by tight harmonies and a dynamic hand drum line, the buoyant 7/8 metre drives the piece forward. Lush harmonies...

for SATB (with divisions) unaccompanied Based on Frances Anne Kemble's poem 'An Entreaty', this enchanting piece describes the experience of leaving a beloved time and place. Lush, expressive harmonie...

for SSSSAATTBB unaccompanied Gabriel Jackson's is one of the most striking modern settings of this ancient text. The composer's trademark diversity of texture is much in evidence, with passages of ric...

A simple setting of this popular medieval Advent carol which has great originality and impact. The style is controlled, almost austere, and the effect is hypnotic. This is an unsettling but poignant p...

A mystical, atmospheric Epiphany carol, The Wise Men and the Star sets a text by Lucia Quinault depicting the journey of the wise men. Tarney's appealing musical language creates a sense of expectancy...

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

A mystical, atmospheric Epiphany carol, The Wise Men and the Star sets a text by Lucia Quinault depicting the journey of the wise men. Tarney's appealing musical language creates a sense of expectancy...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...