Oxford University Press Sheet Music
This innovative and moving setting of Robert Herrick's popular Christmas text opens with an uplifting unison melody, and each verse introduces new vocal textures and increasingly expressive harmonies....
This innovative and moving setting of Robert Herrick's popular Christmas text opens with an uplifting unison melody, and each verse introduces new vocal textures and increasingly expressive harmonies....
- Mixed Choir (SATB) and 4 Instruments
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This piano transcription of the gentle 'Mary's Lullaby' features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Suitable for pianists at e...
This piano transcription of the gentle 'Mary's Lullaby' features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Suitable for pianists at e...
- Piano
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Written whilst the composer was living in Comeragh Road, the litanies of the title are sixteen discrete sections of music, varying in length from two seconds to a minute. Each of these blocks has a di...
Written whilst the composer was living in Comeragh Road, the litanies of the title are sixteen discrete sections of music, varying in length from two seconds to a minute. Each of these blocks has a di...
- Mixed Choir (SATB) and 4 Instruments
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This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first verse is sung in unison by the women and the second by the men. Verse three br...
This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first verse is sung in unison by the women and the second by the men. Verse three br...
- Mixed Choir (SATB) and 4 Instruments
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The Prelude and Fugue in C minor (1921) is characterized by a sense of drama and punctuated by bristling dissonances. The Prelude's ritornello-like alternation of chordal grandeur and rapid imitative...
The Prelude and Fugue in C minor (1921) is characterized by a sense of drama and punctuated by bristling dissonances. The Prelude's ritornello-like alternation of chordal grandeur and rapid imitative...
- Organ
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O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.
O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.
- Women's Choir (SSSA)
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This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.
This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.
- Women's Choir (SSA)
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Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...
Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...
- Women's Choir (SSSSA)
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This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...
This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...
- Women's Choir (SSSA)
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- Oxford University Press
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- Women's Choir (SSA)
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- Oxford University Press
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The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...
The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...
- Women's Choir (SSSA)
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- Mark Keane
- Oxford University Press
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Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...
Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...
- Women's Choir (SA)
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Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...
Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...
- Women's Choir (SSA)
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This lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any concert or service, and is also available in a version fo...
This lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any concert or service, and is also available in a version fo...
- Women's Choir (SSAA)
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- Oxford University Press
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Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.
Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.
- 2 Women's Choirs (SSAA)
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In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...
In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...
- Women's Choir (SSAA)
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The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...
The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...
The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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immediately available
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- Women's Choir (SSAA)
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- Oxford University Press
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Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...
Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...
- Women's Choir (SSSAA)
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- Mark Keane
- Oxford University Press
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Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...
Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...
- Women's Choir (SSSAA)
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- Mark Keane
- Oxford University Press
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Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...
Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.
The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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Sun Dance is a slightly modified version of the fifth movement from the composer's Organ Dances. The music is for the most part celebratory in character, its spiky rhythms driven along by the pervasiv...
Sun Dance is a slightly modified version of the fifth movement from the composer's Organ Dances. The music is for the most part celebratory in character, its spiky rhythms driven along by the pervasiv...
- Organ
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This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...
This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...
- Women's Choir (SSAA)
- Sheet Music Download
- Mark Keane
- Oxford University Press
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immediately available
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Oxford University Press
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